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Dr. Bartolo on the verge of a nervous breakdown: 'Barber of Seville' at Opera Theatre

Stage director Michael Shell, conductor Ryan McAdams, and the cast of Opera Theatre of Saint Louis' "Barber ...

'An Initial Condition' connects science and medicine to hope and emotion

An original play by Tesseract Theatre's artistic director Taylor Gruenloh, "An Initial Condition," runn...

'The Rat Pack is Back' revives vintage Vegas at the Fox

The Rat Pack is back, and the Fox has got 'em, at least through Sunday. This snappy tribute to the 1960s-era Las ...

'Thoroughly Modern Millie' taps and charms its way through the roaring twenties

There's a lot of charm and plucky energy in Kirkwood Theatre Guild's tale of life as a single girl, circa 192...

'My Mother's Lesbian Jewish Wiccan Wedding' is an amiable celebration of diversity

The New Jewish Theatre production of David Hein and Irene Sankoff's unapologetically autobiographical musical &qu...

Volunteer produced news & reviews. Independent & community powered!

Friday, 16 March 2012 17:34

What’s in a name?

Written by Andrea Braun
Leo Greshen (Peter Mayer) sets up a kind of private Yom Kippur on Benny Silverman’s (Bobby Miller) lavish deck overlooking Malibu. But while it’s clear from Miller’s performance that Benny was once a great comic actor, he’s not much of…
Polish director Agnieszka Holland at first resisted, before gradually and then enthusiastically embracing the true story of In Darkness. An eclectic group of a dozen Jews survived World War II by hiding for over a year in the sewers of…
For over forty years, producer, director and editor Frederick Wiseman has crafted unique nonfiction films. Choosing institutions or groups as subjects, adding no interpretive voiceover narration, refusing to intrude with his queries, Wiseman delivers a fly-on-the-wall immersion. His latest documentary…
Monday, 12 March 2012 16:55

Shattering glass

Written by Bob Wilcox
St. Louis currently has a rare opportunity to see two productions of the best play set in St. Louis, Tennessee Williams' The Glass Menagerie.
French director Benjamin Marquet's Lads & Jockeys follows three 14-year-old boys from their entry into a training school for prospective jockeys to one lad's first professional race. Without any voiceover interpretation, the cinema verité style renders the loosely episodic approach…
Mary Zimmerman's The Arabian Nights is a show you just might have to tough out to gain the full measure of, but I think it's worth the effort.
A good comedy is comprised of many key elements. It must have clear and snappy dialog. There should be jokes and gags, both of a physical nature and layered within the banter.
The Rep is kicking off their Ignite! New Play Festival with the impressive world premiere of Ayad Akhtar’s thriller “The Invisible Hand”.
British director Lynne Ramsay's We Need to Talk About Kevin charts the first 16 years of the emotionally damaged title character who lacks the ability to empathize. As Kevin's mother Eva, Tilda Swinton carries the film registering an amazing array…
Cinema lovers know about the legendary Roger Corman: his extraordinarily low budget films beginning in 1954, his giving a who's who of stars and directors their starts, and his work ethic that accounts for over 400 projects as writer, producer…
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