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A dark, driven "Rigoletto" at Union Avenue Opera

Union Avenue Opera is following up on its highly praised "Don Giovanni" with an impressive production of Ve...

'Beauty and the Beast' at the Muny is family fun with an old friend

This past Wednesday, the Muny gave me a chance to visit a friend I hadn't seen in fifteen years. I'm not talk...

Tricky duets spice up the ‘LaBute New Theater Festival,’ part 2

The second half of St. Louis Actors' Studio's "LaBute New Theater Festival," hits another high note...

'Into the Woods' is a fabulously fractured fairy tale filled with real-life lessons

Stephen Sondheim and James Lapine give fairytales a clever musical score, along with an abundance of whimsy and a gen...

Everything glows in 'Anything Goes'

WOW!!!  “Anything Goes” has opened at Stages St. Louis, and it is simply stunning!   Every...

Volunteer produced news & reviews. Independent & community powered!

Friday, 16 March 2012 17:34

What’s in a name?

Written by Andrea Braun
Leo Greshen (Peter Mayer) sets up a kind of private Yom Kippur on Benny Silverman’s (Bobby Miller) lavish deck overlooking Malibu. But while it’s clear from Miller’s performance that Benny was once a great comic actor, he’s not much of…
Polish director Agnieszka Holland at first resisted, before gradually and then enthusiastically embracing the true story of In Darkness. An eclectic group of a dozen Jews survived World War II by hiding for over a year in the sewers of…
For over forty years, producer, director and editor Frederick Wiseman has crafted unique nonfiction films. Choosing institutions or groups as subjects, adding no interpretive voiceover narration, refusing to intrude with his queries, Wiseman delivers a fly-on-the-wall immersion. His latest documentary…
Monday, 12 March 2012 16:55

Shattering glass

Written by Bob Wilcox
St. Louis currently has a rare opportunity to see two productions of the best play set in St. Louis, Tennessee Williams' The Glass Menagerie.
French director Benjamin Marquet's Lads & Jockeys follows three 14-year-old boys from their entry into a training school for prospective jockeys to one lad's first professional race. Without any voiceover interpretation, the cinema verité style renders the loosely episodic approach…
Mary Zimmerman's The Arabian Nights is a show you just might have to tough out to gain the full measure of, but I think it's worth the effort.
A good comedy is comprised of many key elements. It must have clear and snappy dialog. There should be jokes and gags, both of a physical nature and layered within the banter.
The Rep is kicking off their Ignite! New Play Festival with the impressive world premiere of Ayad Akhtar’s thriller “The Invisible Hand”.
British director Lynne Ramsay's We Need to Talk About Kevin charts the first 16 years of the emotionally damaged title character who lacks the ability to empathize. As Kevin's mother Eva, Tilda Swinton carries the film registering an amazing array…
Cinema lovers know about the legendary Roger Corman: his extraordinarily low budget films beginning in 1954, his giving a who's who of stars and directors their starts, and his work ethic that accounts for over 400 projects as writer, producer…
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