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Fur flies in 'Venus in Fur'

The set-up is simple. Thomas, a theater director, has been holding auditions for the play he's written. He's ...

Glorious, fantasy filled 'The World Begun' transforms a late summer night

Shakespeare Festival St. Louis brings its Shakespeare in the Streets performance series to Old North St. Louis in the...

Captivating mind games and intriguing characters deliver a satisfying 'Seminar'

St. Louis Actors' Studio opens its ninth season with a show that mines the insecurities, frustrations and sexual ...

Almost The Full Monty at Stages

Stages tells us that they get more requests for a repeat production of "The Full Monty" and of "The Dr...

Volunteer produced news & reviews. Independent & community powered!

In her second co-writing/directing foray, W.E., Madonna interrogates the infamous Wallis Simpson/King Edward relationship from her, rather than his, perspective, the film insists. But repeated cross-cutting to contemporary couple Wally Winthrop and her increasingly estranged psychiatrist husband forces awkward, even…
Amidst the many father-son conflict and reconciliation films, Being Flynn stands out with its multidimensional physical and psychological layers. They include the struggles of Nick Flynn, the 20 something son of absent, alcoholic father Jonathan Flynn. Nick's floundering, trying to…
Washington University hosts the seventh African Film Festival March 23rd through the 25th. It includes eight films, three features introduced by short films plus a youth matinee. Selections this year celebrate independent women and the power of youth. Of those…
Friday, 16 March 2012 17:34

What’s in a name?

Written by Andrea Braun
Leo Greshen (Peter Mayer) sets up a kind of private Yom Kippur on Benny Silverman’s (Bobby Miller) lavish deck overlooking Malibu. But while it’s clear from Miller’s performance that Benny was once a great comic actor, he’s not much of…
Polish director Agnieszka Holland at first resisted, before gradually and then enthusiastically embracing the true story of In Darkness. An eclectic group of a dozen Jews survived World War II by hiding for over a year in the sewers of…
For over forty years, producer, director and editor Frederick Wiseman has crafted unique nonfiction films. Choosing institutions or groups as subjects, adding no interpretive voiceover narration, refusing to intrude with his queries, Wiseman delivers a fly-on-the-wall immersion. His latest documentary…
Monday, 12 March 2012 16:55

Shattering glass

Written by Bob Wilcox
St. Louis currently has a rare opportunity to see two productions of the best play set in St. Louis, Tennessee Williams' The Glass Menagerie.
French director Benjamin Marquet's Lads & Jockeys follows three 14-year-old boys from their entry into a training school for prospective jockeys to one lad's first professional race. Without any voiceover interpretation, the cinema verité style renders the loosely episodic approach…
Mary Zimmerman's The Arabian Nights is a show you just might have to tough out to gain the full measure of, but I think it's worth the effort.
A good comedy is comprised of many key elements. It must have clear and snappy dialog. There should be jokes and gags, both of a physical nature and layered within the banter.
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