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'Or,' gives the Restoration a playful dose of contemporary attitude

With her fanciful play "Or," Liz Duffy Adams has reimagined the early Restoration period with a touch of Ja...

'Blues for Mr. Charlie' at Washington University: not perfect, but powerful

James Baldwin dedicated his play “Blues for Mr. Charlie” to the memory of Medgar Evers and of the four gi...

'Walking the Tightrope' at COCA is nicely balanced

Los Angeles' 24th Street Theatre recently presented "Walking the Tightrope"—a little gem of a the...

‘Who’s Afraid of Virginia Woolf?’ has a bite that equals its bark

If there's one thing Edward Albee knows, without equivocation, it is the darker side of intimacy. The deep cuts t...

'The Winslow Boy' pairs social justice with a bit of romance

The St. Louis Repertory Theatre's current production, "The Winslow Boy," by Terrence Rattigan, is, at i...

Volunteer produced news & reviews. Independent & community powered!

The comedy troupe known as Monty Python put a last show on stage that’s been filmed for all to see. It’s hysterically funny, if stupid, insular, sophomoric, and boyish, meaning there will be gas-passing. Watching it is like watching Gramps…
Tuesday, 05 August 2014 13:22

Faith Prince charms at The Sheldon

Written by Katie McGrath
Faith Prince launched the 2014 season of the St. Louis Cabaret Project weekend with great presence and charm at The Sheldon on July 30.
The MUNY's current production of "Grease" is light, frothy, nostalgic fun. The music has the snappy, upbeat feel of early rock, and the dancing, costumes and vernacular dialogue are evocative of the period.
Max and Louie Productions' staging of Doug Wright's "Quills" is a deliciously inventive play weighing our decidedly human fascination with social and sexual mores against the lengths society will go to in the attempt to stifle the works of artists…
To criticize Andre Previn, the German-born American composer, pianist, conductor and jazz performer, would seem the height of folly.
When does a three-hour cabaret evening feel too short? Why, when it stars Billy Stritch and Marilyn Maye, of course.
The St. Louis Cabaret Festival, under the guiding hand of Tim Schall, is, so far, a resounding success.  Last night at the Sheldon an adoring, almost adulatory packed house welcomed that stellar cabaret artist Ann Hampton Callaway and her evening's…
Already an acknowledged original, writer/director Richard Linklater has found a new, creative way to impress his fans. His "Before Sunrise," "... Sunset" and "... Midnight" trilogy traced the evolution of a daring romantic relationship. "Slacker" and "Dazed and Confused" captured…
The St. Louis Actors' Studio once again features the works of established and emerging playwrights in its annual month-long festival of new plays, the "LaBute New Theater Festival," with four works produced for the second half of the festival. Running…
Stray Dog Theater's production of "Funny Girl" is an ambitious undertaking -- the leading role is incredibly difficult, a demanding part that requires exceptional vocal range and power, spot-on comic timing and an actress willing to play up her less…
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