Local opening date: 7/20/2007
Reviewed by Martha K. Baker
This Australian movie ought to be a sprightly little movie. The plot, when
told, holds some promise, but when executed, it's apparent that there's
a big hole in the center.
Jean Dwight is a starry-eyed comedian, bawdy and teasing, the kind who embarrasses
old men in the audience. It's very believable that the parade's
passed her by, one of her moans.
That's her night job. By day, she works
in a canteen slinging hash. She has devised a little family unit out of her
two sons. Mark has cerebral palsy and is funny, he thinks. Tim, at 16, though
painfully shy, is the man of the house. He drives her to her gigs in his truck,
which he hires as a moving van. Her former husband is a singer, the kind who
covers the songs of Conway Twitty and who is farther from making it than Jean
Tim is called to help two young women move their furniture, and one of them,
Jill, falls for him. And he for her. He's gobsmacked. He literally doesn't
know how to talk in front of her, and the two girls, a whole lot more sophisticated,
have a laugh at his expense even while Jill is falling in love. He finally admits
the awful truth to her, that both his parents are entertainers.
He has tried to keep his relationship with Jill from his mother, but she worms
the information out of Mark. Jean can't seem to remember the name Jill
"" a real toughie, yeah. She's not at all pleased at the thought
that she might be losing her right-hand man, her chauffeur, her shoulder. She
does what she can to stop this romance, but it's already going faster
than she can keep up with it.
Keith Thompson wrote the script, and he inserts a motif for Jean. She's
always reminding her boys that she doesn't want the Sea World, or the
KFC, or the Samantha episode all over again, giving the suggestion that she
has seen her boys through quite a few tumbles. Cherie Nowlan directs. Early
on, the girls seem to be hatching a horrid plan to take advantage of Tim and
Mark, so the first third of the movie bears that weight, and then goes nowhere.
Brenda Blethyn stars as Jean, and she's always good. But that's
part of the problem. She's so good that the distance between her and the
rest of the cast just gets wider and wider as the movie goes on. Emma Booth
is fine as Jill, who turns out to have more backbone and more kindness than
in the first scenes. Khan Chittenden does well as Tim, but Richard Wilson's
Mark is one of the worst interpretations of a palsied character with a palsy.
He is not consistent at all.
Neither is Introducing the Dwights. Although there are laughs and sighs
along the way, its center cannot hold. It addresses important issues, but never
goes beyond the introduction.
KDHX is having a rent party and we want you to join us.
Thursday, September 10th at the Old Rock House Jake’s Leg and 710 will be hosting a fun evening of music and comradery in support of KDHX. 710 will kick off the evening...
ALASH are masters of Tuvan throat singing (xöömei), a remarkable technique for singing multiple pitches at the same time. What distinguishes this gifted trio from earlier generations of Tuvan throat singers is the subtle...