Donate Now to Support KDHX

Listen Live
Friday, 24 August 2012 00:00

'Killer Joe' is a downer

collider.com collider.com
Written by Diane Carson
Rate this item
(0 votes)

About this Media...

  • Director: William Friedkin
  • Dates: Opens August 24, 2012

It’s difficult to embrace a film as downright emotionally and often physically ugly as director William Friedkin’s Killer Joe. Yes, it trades on many of the familiar elements of film noir, anchored in a murder scheme for money. But unlike the best of those, it lacks the grace, wit and humanity embedded in cautionary tales.

Though typically heavy-handed, Friedkin has several iconic 1970s films to his credit: The French Connection, The Exorcist, and The Boys in the Band. Each of those involves gripping physical and emotional tension delivered via superb acting. The excellent acting remains, but the adaptation by Tracy Letts of his 1993 play needs serious reconsideration. In addition to its pervasive misanthropy, Killer Joe exhibits a repulsive misogyny. Seldom have women been so thoroughly unattractive, or if cute in appearance, so insultingly presented. In addition, the smug condescension toward the trailer residents is contemptible.

The dispiriting story begins promisingly enough with an unnerving clicking sound—it will be revealed later as Joe’s lighter—followed by the first images—a violent, thunder and lightning storm punctuated by a ferocious, barking pit bull. Typical of darker fare, greed and revenge prompt a scheme to cash in on a $25,000 life insurance policy. The insured is Chris’s and Dottie’s mother and Ansel’s ex-wife. Twenty-ish Chris has sunk himself into debt with the local low life, Ansel harbors no affection for his ex, and even simple-minded, Lolita-like Dottie thinks matricide makes sense. They employ a local Dallas detective called Killer Joe, known as a gun for hire. There’s no way this will turn out well.

As Joe, Matthew McConaughey has found a new gear, and he’s a marvelous, menacing, heartless killer. He knows that quiet and calm are much more frightening than screaming and frantic, and McConaughey steals every scene. As Chris, Emile Hirsch is too shrill too often; Thomas Haden Church’s Ansel goes the other way to a dullard’s m.o. Gina Gershon, as Ansel’s new wife, gets the most thankless, distasteful role.

Cinematographer Caleb Deschanel contributes his masterful photography in this lost cause. Darrin Navarro’s editing shines, and Tyler Bates’ music is effective. Unfortunately, Killer Joe offers an unpleasant experience.
 

Sponsor Message

Become a Sponsor

Find KDHX Online

KDHX on Instagram
KDHX on YouTube
KDHX on SoundCloud
KDHX on Facebook
KDHX on Twitter
KDHX on flickr

KDHX Recommends

May
Thursday
28

KDHX Discovery Series: Soul-Jazz and its Resurgence with Andy Coco

This multimedia session led by KDHX DJ Andy Coco of The Rhythm Section, explores the invention of the soul-jazz genre, its influence, and its contemporary resurgence. With live music from The Provels.   The Discovery...


May
Saturday
30

Brunch at the Stage: The Ozark Highballers

KDHX is now curating a Saturday brunch series at the Stage with live music from local musicians and delicious, locally-sourced food and drinks from the Magnolia Café. Brunch at the Stage takes place from 9 a.m. to 1 p.m....


May
Saturday
30

Official Pride St. Louis Kick Off Party

Please be our guest for this event at the only Official Pride St Louis Kick Off Party. Enjoy a complimentary bar featuring Pinnacle Vodka, Cruzan Rum, Sauza Tequlia, Jagermeister and Jagermeister Spice, Red Bull, select beers from...


Get Answers!

If you have questions or need to contact KDHX, visit our answers portal at answers.kdhx.org.

Upcoming Events HAPPENING

Online Users

2 users and 12160 guests online
Sign in with how to write an essay Facebook

SYSTEM: S5 Box

Login/My Account

Sign in with Facebook