by Michael Kuelker
It’s 2013 and so much has changed in roots reggae music, but some things remain the same: The Itals mashing it up in St. Louis.
Keith Porter, lead singer and prime mover of The Itals, returns for a performance at BB’s Jazz Blues & Soups on Wednesday, August 21. Porter will be backed by Yard Squad of St. Louis, and his hand-picked backing vocalists will be St. Louis’ own Irie Trinity – Sherita Edwards, Desirae Dobbins and Franny Taylor.
Sav-la-Mar, Jamaica native Porter headlines, but the St. Louis-based artists behind him and on the undercard are well worth the trod on their own terms: Aaron Kamm & the One Drops, Mario Pascal, Konchus and in a separate opening set, Irie Trinity, who are also producing the BB’s concert.
Longtime reggae fans know that The Itals’ relationship with St. Louis stretches back more than 30 years, when the St. Louis-based Nighthawk label began working with three singers from Sav-la-Mar on Jamaica’s southwest coast. Since forming in 1976, Nighthawk had released 10 blues reissues but in the late seventies it delved into reggae-Jamaica. Wiser Dread, the first Nighthawk reggae release (1981), was a potent various artists anthology which contained The Itals’ “In a Disya Time” and “Don’t Wake the Lion.” The Itals would soon be Nighthawk’s flagship artist. New original reggae would quickly eclipse pre-WWII blues as the label’s focus.
It bears noting that Yard Squad and Irie Trinity are singers and players of instruments whose talents have been tapped recently by a host of artists including Zion, Everton Blender, Frankie Paul, Kenyatta ‘Culture’ Hill and Warrior King. Yard Squad backed Porter for a series of dates in spring 2013 and he called again for shows this month in Missouri, Texas and Louisiana. In September Dobbins will fly to Phoenix, Arizona to do a solo set on a bill with roots legend Don Carlos. An Irie Trinity album is in the works.
And how about the other talents on this bill and the fine music they are making for any ear which will hear. Aaron Kamm & the One Drops are among the region’s hardest working and most popular jam bands, playing the reggae in a very satisfying post-Sublime; AK1D’s music is also very blues-infused and ultimately quite original. Mario Pascal plays original compositions, too, a reggae/world fusion. His 2012 song “Stand Ya Ground” gets a lot of airplay on my radio show because it’s topical and timeless – it definitely pertains to the Trayvon Martin case but it’s ultimately about more than perpetrator/victim; it’s about consciousness itself and how we educate ourselves. Mario Pascal is building a catalog of noteworthy songs. The only one in the mix I haven’t yet seen perform is Konchus.
Highly Distracted Productions presents Asperger’s: A High Functioning Musical Friday and Saturday at 8 PM and Sunday at 2 PM, August 16-18. “Back by popular demand after three sold out performances at the St. Lou Finge Festival, Asperger’s: A High Functioning Musical tells the story of six young adults with Asperger’s attending a support group as they face the problems of entering adulthood and leaving the pain of childhood behind. The songs can be rollicking and tender. Come celebrate the geek in all of us.” Performances take place in the Little Theater at Clayton High School, 1 Mark Twain Circle in Clayton. For more information: aspergermusical.brownpapertickets.com.
Moonlighting Theatre presents Charles Mee’s Big Love, based on The Suppliants by Aeschylus, Friday and Saturday at 7:30 PM and Sunday at 2 PM, August 16-18. Performances take place at the Regional Arts Commission, 6128 Delmar. For more information, visit moonlightingtheatre.org.
The Pub Theater Company presents Bye Bye Liver: The St. Louis Drinking Play, a comedic romp through the joys and pitfalls of The Gateway to the West’s favorite pastime. Performances take place on Saturdays at 9 PM at Maggie O’Brien’s, 2000 Market Street. For more information, you may call 314-827-4185, email stlouis at byebyeliver.com, or visit byebyeliver.com/stlouis.
Stages St. Louis presents Legally Blonde, the Musical through August 18. Performances take place in the Robert G. Reim Theatre at the Kirkwood Community Center, 111 South Geyer Road in Kirkwood. “Sorority sister Elle thinks she has her future all tied up with a nice, little pink ribbon, until her boyfriend suddenly dumps her for someone more “serious.” But don’t break out the tissues just yet! This is one girl who doesn’t take “no” for an answer as she sets out to prove that being true to yourself and going after “what you want” never goes out of style.” For more information, visit stagesstlouis.org or call 314-821-2407.
Encore! Theater Group presents John Logan’s two-character drama Red, about 20th Century abstract painter Mark Rothko. Performances are Friday and Saturday at 8, August 16 and 17, at the Warehouse at All Trades Supply located at 10 Kirkham Industrial Drive, Webster Groves. “Mark Rothko is at the height of his powers. His work, long rejected by critics, is suddenly hailed as some of the most important of this century. He is the new king of art in New York, and his coronation will be the flashiest commission in the history of painting: $35,000 for a series of epic murals at the Four Seasons restaurant. But…canvases this large cannot be lifted by a single man, not even a titan. So he hires an assistant (Ken). This young artist and his fiery ideas force Rothko, the surest thing in the world of modern art, to question everything. John Logan’s 90-minute intellectual thrill-ride serves as a puzzling reminder of how difficult and dangerous the climb towards an artistic vision can be, and how worthwhile. “ The cast includes 88.1 KDHX theatre critic Steve Callahan as Mark Rothko. For more information: email encoretheatergroup at gmail.com, call (314) 329-8998, or visit squareup.com/market/noxp-entertainment-corp/red-tickets.
|Photo: John Lamb|
The Theatre Lab presents Cormac McCarthy’s The Sunset Limited through August 17. “The play involves only two nameless characters, designated “White” and “Black”, their respective skin colors. Offstage, just before the play begins, Black saves White from throwing himself in front of a train. The title, The Sunset Limited, is derived from the name of a passenger train that travels from New Orleans to Los Angeles. All of the action takes place in Black’s sparse apartment, where the characters go (at the behest of Black) after their encounter on the platform. Black is an ex-convict and an evangelical Christian. White is an atheist and a professor. They debate the meaning of human suffering, the existence of God, and the propriety of White’s attempted suicide.” Performances take place at the Gaslight Theater on North Boyle in the Central West End. For more information: (314) 599-3309
Insight Theatre Company presents Time Stands Still by Donald Margulies August 15-25. Performances take place in the Heagney Theatre, 530 East Lockwood on the campus of Nerinx Hall High School in Webster Groves. For more information, call 314-556-1293 or visit insighttheatrecompany.com.
St. Louis Shakespeare presents Shakespeare’s Two Noble Kinsmen August 16-25. “During a war waged by Theseus of Athens against Thebes, two Theban cousins, Palamon and Arcite are captured and imprisoned. Their lifelong friendship is disrupted when first Palamon, then Arcite, sees and instantly falls in love with Emilia, sister to Theseus’ wife Hippolyta. Meanwhile their jailer’s daughter has fallen in love with Palamon. When Arcite is freed and exiled, she helps Palamon escape. Lost, knowing the hopelessness of her love and fearing the consequences of her actions, she goes mad. Palamon and Arcite’s conflict over Emilia is resolved by Theseus’ decree that the two will fight a public duel; the winner will receive the hand of Emilia; the loser will be executed.” Performances take place in the Washington University South Campus Theatre, 6501 Clayton Road. For more information, call 314-361-5664 or visit stlshakespeare.org.
Union Avenue Opera presents Wagner’s Die Walküre, the second of the four “Ring” operas, in a condensed and reduced version by English composer Jonathan Dove, Fridays and Saturdays at 8 PM, August 16-24. Performances take place at the Union Avenue Christian Church, 733 Union at Enright in the Central West End. The opera is sung in German with projected English text. For more information, visit unionavenueopera.org or call 314-361-2881.
When most folks think of cabaret, I expect the image that comes to mind is that of a single performer backed up by a piano, possibly augmented with bass or percussion. That’s certainly the most common arrangement but, as singer (and visual artist) Dionna Raedeke and guitarist Mike Krysl will be demonstrating this Friday, it’s by no means the only one.
A relatively new addition to the St. Louis cabaret scene, Ms. Raedeke has garnered raves for her singing and musical taste. “Dionna is one of my new favorite singers,” says actor, singer and teacher Jason Graae. “Her voice has such a haunting beauty and it comes directly from her soul.” New York-based singer, songwriter and music director Rick Jensen—who accompanied Ms. Raedeke for her 2011 show Sight – Sound—agrees, describing her as a “vocally compelling and consistently original in her performance.”
For her new show, titled Ebb and Flow, Ms. Raedeke has put together an evening in which the sound will be acoustic, the mood mellow, and the song choices rather different from the Great American Songbook standards that are so often associated with cabaret. Expect 70s rock, contemporary singer/songwriters, and even some new tunes. Ms. Raedeke, with a nod to her visual artist side (and with tongue somewhat in cheek), describes the evening as a “carefully curated” one that features “everything from Pink Floyd to PINK.”
Expect arrangements that will make you re-think familiar songs as well. An inventive musician who lists influences as diverse as Robin Trower, Django Reinhardt and Leonard Bernstein, Mike Krysl has often impressed me with both the ingenuity and virtuosity of his inventive and original takes on rock and pop standards. I remember being particularly blown away by what he and singer Shauna Sconce did with some of Pink Floyd’s Dark Side of the Moon at their recently concluded monthly sessions at The Wine Press.
“Mike Krysl’s sound is taut, deep and brilliantly soulful,” says local cabaret artist Katie McGrath. “Dionna’s voice is plaintive, joyous and straight-arrow true. My favorite musician with my favorite singer. And the angels smile.” As someone who has been both a critic and performer on the local cabaret scene for many years and who has had the pleasure of seeing both Ms. Raedeke and Mr. Krysl in action, I heartily concur.
The one and only performance of Ebb and Flow is this Friday, August 9th, at 8 PM at The Chapel, 6238 Alexander Drive at the intersection of Skinker and Wydown. A not-for-profit music venue, performance space and art gallery, The Chapel has played host to a number of cabaret shows over the last few years. It’s an attractive, unconventional space in a quiet residential neighborhood that provides its services free to local musicians as part of its mission to support the arts in St. Louis. I think that’s pretty admirable and worth supporting.
Tickets, which are available at the door and at ebbandflow.brownpapertickets.com (along with some free sample music tracks), are $20 and include two free drinks. Parking is free as well. Come on down Friday and smile with the angels.
by Michael Kuelker
Independence for Jamaica arrived on August 6, 1962. The island’s music industry then was in its infant bloom, and a new original music called ska was moving the youth. Sometime in the autumn of 1962, a young man made the journey from his little north coast village home to the sprawling capital city of Kingston to cut a record, “Carry Go Bring Come.” It became a ska sensation, and the tune set in motion a recording career for Justin Hinds (1942-2005) not only in ska but also in rocksteady, reggae and nyahbinghi, producing a musical legacy which brought Hinds wide renown.
In Steer Town, where Justin lived all of his life and where many of his family and friends remain, his memory remains as strong as a phantom limb.
This is a special artist to me. I listen to Justin’s music at home and jam it on “Positive Vibrations,” and the three occasions in the late 1990s when I saw Justin and his fabulous band perform in St. Louis are among my top-shelf reggae experiences. I’ve trod to Steer Town twice and spoken to many of Justin’s musical compatriots and family. Below, you’ll find excerpts from 11 of them.
A year ago, I found a new angle of vision to Justin’s depth and timelessness when I participated in a symposium in Jamaica titled “Justin Hinds @ 70.”
The St. Ann Heritage Foundation staged the symposium on the long wide verandah of the Seville Great House in St. Ann’s Bay. Across an expansive lawn, the Caribbean Sea is in full view. The venue is not far from Steer Town in the parish of St. Ann, a place rife with cultural history and famous sons (Marcus Garvey, Bob Marley and Burning Spear – and Justin Hinds, who deserves mention in the same breath).
The August 5, 2012 symposium coincided with celebrations island-wide of Jamaica’s 50th anniversary of independence. Outside our mellow gathering, the island was feting itself loudly and inna fine style, flags flying high. The same afternoon, one of the biggest television events of the year was taking place: Jamaican Olympic sprinter Usain Bolt racing in London. Given the near-synchronous Olympic dash and the start of the symposium, some of us were left wondering whether anyone would show at all. But 50 people attended and lingered for both the program and informal chat-and-jam time.