Donate Now to Support KDHX

Listen Live

'Falling' Soars

It's been two-and-a-half years since Deanna Jent's remarkable play, "Falling", premiered at the Mus...

'The Trials of Brother Jero': Ancient satire comes to modern Africa

When I went to grad school at the University of Leeds in England—way back in 1960—some of the theatre fol...

Storm Large and Her Four-Piece Band rock the house at the Gaslight Cabaret Festival

Storm Large (yes, that's her real name) seems to be a one-woman entertainment conglomerate: rock star, author, ac...

‘Once’ upon a love story

Lovely and heartfelt, “Once” tells the story of two musicians who share a deeply profound love that can o...

They Had Me at ‘Wilkommen’: ‘Cabaret’

‘Cabaret’ tells the story of the last days of the Weimer Republic before the Nazis seized power and engin...

Janet Langhart Cohen, who wrote the current Black Rep production Anne and Emmett, has had a distinguished career as a television journalist. She knows a good story when she sees it, and she knows how to tell it clearly. She knows how to make her thoughts about the story clear, too. And she knows that she must hold her audience's attention.

Published in Theater Reviews

Change. It’s an inevitable part of life. People come and go, you never step into the same river twice; all that jazz. Self-help books and corporate leadership courses exhort us to embrace change, become change agents, and treat it as an opportunity, not a threat. Somebody moved your cheese? Tough. Go find it.

Published in Theater Reviews

We all know Gone with the Wind, that epic movie of a burning city, a tragic love triangle, a gown made from drapes, and a dramatic hillside silhouette with upraised fist underscored by a sweeping theme. Oh, yeah, it was also about a war.

Published in Theater Reviews

“What becomes of a dream deferred? /Does it dry up /like a raisin in the sun?” “Harlem” by Langston Hughes.

Published in Theater Reviews

A young woman with psychiatric problems tries to sort out her life, and ultimately - and thrillingly - fails.

Published in Theater Reviews

A crisp autumn evening, a gourmet meal served under the brand new big top, feats of breathtaking prowess executed by some of the most talented performers ever assembled; ladies and gentlemen, I give you dinner theater Circus Flora style.

Published in Theater Reviews

The 25th anniversary production of "Les Misérables" is a few minutes shorter than the original and makes clever use of sophisticated video projection technology that wasn't available in 1985, but it's otherwise every bit as much of a well-oiled theatrical machine as it was the first time I saw it back in the late 1980s.

Published in Theater Reviews

Only two people in the cast, the same set and costumes throughout, no show stoppers, no dancing and pretty much all of the dialogue epistolary; could this musical be any more unique?

Published in Theater Reviews

Theatre companies keep bashing on about how this play or that play is "relevant to our time," which can get a bit tiresome, but Good really is reflective of us. Despite the fact that it is set in 1930s Germany and was written in Britain 1980, it speaks directly to American politics in 2012.

Published in Theater Reviews

The Touhill Performing Arts Center on the campus of University of Missouri St. Louis recently hosted a performance by The Improv Shop troupe. The Improv Shop is a “St. Louis-based improvisational comedy theater and school.”

Published in Theater Reviews

I’ve always maintained—sometimes against stiff critical headwind—that cabaret is essentially a form of musical theatre, and that some of the best cabaret artists are the ones with a solid stage background. If you doubt that, head on over to the Missouri History Museum to see Christy Simmons’s "Count Your Blessings" and be convinced.

Published in Theater Reviews

Opportunities to see a Eugene O’Neill play on a St. Louis stage are rare, so you should take the chance to see this one, not just because it’s O’Neill, but because it’s terrific theatre. Director Philip Boehm and his cast and crew have not made a misstep in rendering this difficult masterpiece.

Published in Theater Reviews

The New Jewish Theatre’s production of Neil Simon’s Lost in Yonkers is a delight from beginning to end. It isn’t a perfect play, but under the sure direction of Doug Finlayson and the abundance of talent on stage and behind the scenes, it is rendered as a lovely and relatable story of family with all that word emotions that powerful word connotes.

Published in Theater Reviews

The tensions of adolescence blossom into full bloom at an nineteenth-century boarding school.

Published in Theater Reviews

I’m not sure how to classify Steven Dietz’s Inventing Van Gogh. It is an epistolary drama constructed in a multi-layered way with aspects of spiritualism and magic realism in the mix. It is didactic (it’s tricky to create dialogue from letters, which is what Dietz has done) but, despite his bona fides and they are impressive, he doesn’t seem up to making many of these speeches sound like anything other than what they are: words meant to be read and not spoken. I’ve only seen one other Dietz play—Becky’s New Car—and I didn’t think much of it either.

Published in Theater Reviews

I've admitted often that, with few exceptions, I'm not a lover of experimental theater; however David Lindsay-Abaire's "Wonder of the World" has fallen solidly into the "exceptional" category.

Published in Theater Reviews

"The Drowsy Chaperone" is, deliberately, a silly musical. It is a silly musical "within" as its subtitle says, "a comedy." The musical purports to be from the 1920s. The comedy is from today. It has one character. The musical is his favorite show, and he plays his LP of the show for us, magically evoking the original cast to perform it for us.

Published in Theater Reviews

Sponsor Message

Become a Sponsor

Find KDHX Online

KDHX on Instagram
KDHX on YouTube
KDHX on SoundCloud
KDHX on Facebook
KDHX on Twitter
KDHX on flickr
KDHX Blog

Local Artist Spotlight


Tok Releases Gold Dollar Hen House Volume 3

Tue April 8
Tok is a Festus based rock band who has been rocking St. Louis for 20 years. They are due to release their third installment of their Gold Dollar Hen House collection on February 28, 2014 at Schlafly's…

KDHX Recommends

April
Wednesday
16

Pancho Sanchez and His Latin Jazz Band

Pancho Sanchez and His Latin Jazz Band KDHX welcomes Pancho Sanchez and His Latin Jazz Band to Jazz at the Bistro April 16th through April 19th. For more information, www.jazzstl.org.


April
Thursday
17

The Sheldon Sessions presents Todd Snider

The Sheldon Sessions presents Todd Snider.   Presented by The Sheldon in partnership with KDHX. For more information, sheldonconcerthall.org.


April
Friday
18

The Minus Five

KDHX welcomes The Minus Five to Off Broadway on April 18th.   For more info, offbroadwaystl.com.


Get Answers!

If you have questions or need to contact KDHX, visit our answers portal at answers.kdhx.org.

Online Users

1 user and 6517 guests online
Sign in with Facebook

SYSTEM: S5 Box

Login/My Account

Sign in with Facebook