Donate Now to Support KDHX

Listen Live

At Clayton Community Theatre, the lion in winter chills his family

In “The Lion in Winter,” James Goldman has written something of a medieval version of “Who's Af...

Lesser-known Mascagni delights at Winter Opera

Winter Opera St. Louis, after a brilliant production of "Le Nozze di Figaro", continues its eighth season w...

'Cinderella' at the Fox is a sumptuous re-telling of the tale

The “Cinderella” now at the Fox Theatre is not just any “Cinderella.” It's the “Rod...

'The Fox on the Fairway' is a fast-acting, laugh-inducing cure for the winter blues

In Ken Ludwig's fanciful farce, a golf tournament, an impending engagement and an ill-advised bet between old riv...

'Guess Who's Coming to Dinner' is still relevant after all these years

The stage adaptation of "Guess Who's Coming to Dinner," written by Todd Kreidler and based on the scree...

If Opera Theatre of Saint Louis's "Sweeny Todd" isn't everything I could wish, it is (to quote an old joke) way ahead of whatever's in second place.

Published in Theater Reviews

The plot of Othello is simple enough. An army general, Othello, a Moor, marries above his social station and outside his race. Also, he has chosen a young lieutenant, Michael Cassio, as his second-in-command.

Published in Theater Reviews

The fine people at the Black Rep bring us another quirky, intelligent, original offering in "Insidious".

Published in Theater Reviews

If anyone can transform the Book of Job into a comedy, it’s Neil Simon. So I thought. I was wrong.

Published in Theater Reviews

“Carmen” as film noir? With a femme fatale heroine, a doomed anti-hero, and a netherworld in which cops (well, OK, the fascist Guardia Civil) and crooks meet, the concept behind Opera Theatre’s production has genuine merit.

Published in Theater Reviews

 

I suppose there are things more majestic, dramatic, emotional and joyful than Riverdance, but this two hour song and dance fest would be hard to beat.

Published in Theater Reviews

Adam Flores as Pale? I thought director Rachel Tibbetts had miscast.

Published in Theater Reviews

Michael Feinstein’s appearance with the St. Louis Symphony on Mother’s Day had all the elements of a classic, well-crafted cabaret show.

Published in Theater Reviews

Don (Steve Isom) is the kind of Little League coach that intimidates kids and their parents both. At first glance, it does seem that, to Don, winning really is the only thing. He’s a middle-aged guy who drinks beer, acts like an adolescent about women, and still remembers a baseball game he played at 12 as the highlight of his life.

Published in Theater Reviews

Paul Rudnick’s The New Century is a funny play with an agenda—on paper. In Max and Louie’s production, it has its moments, but is disappointing overall.

Published in Theater Reviews

The staging looks a bit cramped at times, especially in the big ensemble numbers, and the show itself feels a bit too long, but on the whole it truly is a jolly holiday with "Mary Poppins", thanks to solid production values and a great cast.

Published in Theater Reviews

Kirkwood Theatre Guild caps their season with an unusual choice for a musical. Dirty Rotten Scoundrels does not set a boy-meets-girl plot to sweet love songs. Jeffrey Lane's book, adapted from the movie of the same name, follows a con man-meets-con man plot. David Yazbek sets lyrics and music to a perfectly hummable musical theatre score.

Published in Theater Reviews

I should know. I should know that it's coming. Better yet, I should prepare...tune my brain to the “frenetic” setting, and then give it a notch more.

Published in Theater Reviews

It occurs to me now and then that creating theatre is a kind of magic trick. The performers are the magicians and the patrons pay to be transported to another world, a different kind of life “for an hour, two hours,” says Jacob Shemerinsky, acclaimed actor in the Yiddish Theatre.

Published in Theater Reviews

At a time when far too many Broadway musicals are either theme parks or retreads, "Memphis" stands out by offering an intelligent book with a message of hope and decency amid hate and fear, a solid score, and terrific performances.

Published in Theater Reviews

The production of Handel’s 1739 pastoral opera “Acis and Galatea” that graced Union Avenue Opera’s stage this past weekend was pretty much a perfect fit for the company and its space.

Published in Theater Reviews

Sponsor Message

Become a Sponsor

Find KDHX Online

KDHX on Instagram
KDHX on YouTube
KDHX on SoundCloud
KDHX on Facebook
KDHX on Twitter
KDHX on flickr

KDHX Recommends

February
Sunday
01

Discovery Series

The Discovery Series, a 10-event series spanning February to June, 2015, will not only bring you new music, but also music-focused interactive sessions that take a look at how music plays a role in our society. Each month the...


February
Monday
02

Fringe Third Annual Quick Draw - Artist networking and lottery drawing

This event marks the final step of the selection process for shows in the 2015 St. Lou Fringe Festival … but more importantly, it is a one-of-a-kind inside look at the city’s bravest, most creative performing passion...


February
Friday
06

Leo Kottke

KDHX welcomes Leo Kottke to The Sheldon on Friday, February 6th at 8 PM. Folk guitarist Leo Kottke is known for his innovative 12-string technique, and intimate performance style.


Get Answers!

If you have questions or need to contact KDHX, visit our answers portal at answers.kdhx.org.

Online Users

24 users and 11692 guests online
Sign in with Facebook

SYSTEM: S5 Box

Login/My Account

Sign in with Facebook