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'Cinderella' at the Fox is a sumptuous re-telling of the tale

The “Cinderella” now at the Fox Theatre is not just any “Cinderella.” It's the “Rod...

'The Fox on the Fairway' is a fast-acting, laugh-inducing cure for the winter blues

In Ken Ludwig's fanciful farce, a golf tournament, an impending engagement and an ill-advised bet between old riv...

'Dinner with Friends' is a satisfying show that could use a little spice

The Theatre Guild of Webster Groves takes on contemporary divorce and it's wide reaching impact in their current ...

'Guess Who's Coming to Dinner' is still relevant after all these years

The stage adaptation of "Guess Who's Coming to Dinner," written by Todd Kreidler and based on the scree...

First Run Theatre finds the beat with 'Stereo Heart'

First Run Theatre has picked a gem in local playwright Mario Farwell's "Stereo Heart." The play tackles...

There is a saying that being alone doesn’t necessarily mean you’re lonely. Well, that’s not the way the world works in George Furth (book) and Steven Sondheim’s (music and lyrics) Company.

Published in Theater Reviews

St. Louis Shakespeare opens it's 26th season with a production of a seldom performed Shakespearean tragedy, "Coriolanus".

Published in Theater Reviews

Belleville’s Brass Rail Players, the little theatre that fearlessly tackles big musicals, has scored a definite winner in their latest production, How To Succeed in Business Without Really Trying.

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Last night, despite oppressive heat, the amazing company of Joseph’s Amazing Technicolor Dreamcoat brought the audience to its feet amid shouts of “Bravo!” and “Whoooooo!” and “Yeah!”

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WC Fields once cautioned performers against working with kids and dogs meaning they would easily steal the show. Director Sheri Hogan wisely ignored this advice and presents us with a charming piece, The Little Prince.

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Thirty years after its huge Broadway success, Dreamgirls has made it to The Muny. One can speculate about why it took this musical longer to get to Forest Park than other late 20th century megahits like Les Miz, Miss Saigon, or Jesus Christ Superstar. But it's here now.

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Theatre farce has been around since Aristophanes worked in ancient Greece, and Plautus created laugh riots in Rome.

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Honestly, I didn’t expect to love this musical. I mean, it's a musical based on a cartoon for heaven's sake.

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Prolific American playwright Ken Ludwig has been producing laughter on stages across the world since his farce Lend Me a Tenor hit Broadway in 1989. Since then his work has included a variety of plays, musicals, and comedies. In 2010 he debuted The Fox on the Fairway. Billed as “A tribute from Ken Ludwig to the great English farces of the 1930s and 1940s,” it nonetheless has a contemporary (cell phones, Tiger Wood’s meltdown) setting. As presented by Insight Theatre Company, golf, that game of “sticks and dimpled balls,” is the milieu here.

 

Published in Theater Reviews

“Un Ballo in Maschera” (“A Masked Ball”) is classic Verdi, with star-crossed lovers, vendettas, political intrigue, a tragedy of bad timing in which nobody lives happily ever after, and even a sorceress who makes sadly accurate predictions of doom.

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It's been a week since I spent four days at St. Louis's first ever fringe festival, and I've finally recovered enough to write about it.

Published in Theater Reviews

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DIY Mixing/Mastering Workshop with Patrick Crecelius

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