Repeatedly
Kuhler proves, as he asserts, the ability to fantasize is the ability to
survive. In his own words, throughout Rocaterrania,
Kuhler describes his personal problems and the ways he dealt with them by
projecting through the details of his amazing world. For example, he named the
prison in Rocaterrania after a boss he hated and he cast his parents as a
foreign power trying to dominate his country, that is, him at a crucial stage
of his development. When he felt shaky and insecure, so was the country,
geographically sandwiched between Canada and upstate New York. Tired of feeling
persecuted for his nonconformity, he made sure Rocaterrania did not
discriminate in any way.
Most
of the documentary observes and listens attentively to Kuhler, with the film's
organization a bit discursive, appropriate to its subject. Still
producer/director/d.p. and editor Brett Ingram makes time for Kuhler's sister
who provides concise, helpful biographical background. Also on display and of
particular merit are Kuhler's elaborate sketches of Rocaterrania and its inhabitants.
Their superb quality will not surprise those who work with Kuhler as a
scientific illustrator, employed by the North Carolina Museum. I can't help but
observe that Rocaterrania proves once
again that it's so myopic and foolish to judge a book by its cover.
Rocaterrania screens at Webster University's
Winifred Moore auditorium at 7:30 p.m. Friday, October 16th through
Sunday, October 18th. For information and the current schedule, you
may call 314-968-7487 or you may go to the web site.


