Just when Waitress skirts with sitcom territory, the writing
and events rescue it from any such cloying fare. The relief adds to the
buoyant appeal of the film, one infused with warmth toward the
characters and belief in friendship and finding a measure of happiness
through self confidence.
The title waitress Jenna works at Old
Joe's Pie Diner and has a knack for creating delicious, unusual pies.
Jenna names them after her moods and situation, the most relevant being
Pregnant-Miserable-Self Pitying-Loser Pie and
Worst-Husband-in-the-World-Pie. Indeed Jenna dislikes her narcissistic,
jealous, controlling husband Earl which makes her attraction to her
Ob-Gyn, Dr. Pomatter, even more delicious and believable. Their
romantic liaison is as offbeat as fellow waitress Becky's romance with
dorky Ogie. As unusual is the diner that serves only pies, cantankerous
boss Cal, and the owner Joe. He talks tough but is all marshmallow
inside-and wise, played beautifully by Andy Griffith. Equal to the task
of carrying the film is Keri Russell, a sweet and impetuous Jenna.
Economical dialogue scenes reveal volumes in a few sentences and
watching the numerous pies being made is a mouth-watering, clever way
to punctuate developments.
On a truly tragic note,
writer/director and actor as Jenna's waitress friend Dawn, Adrienne
Shelly was murdered in her New York apartment three months before Waitress'
premiere at Sundance. Her death is a huge loss to the independent film
community and all who love films as inventive and delightful as Waitress. At Landmark's Plaza Frontenac cinema.





