Donate Now to Support KDHX

Listen Live
Monday, 28 October 2013 10:34

Concert review: Mike Doughty (with Sons of Hippies) revisits Soul Coughing at Off Broadway Saturday, October 26

Concert review: Mike Doughty (with Sons of Hippies) revisits Soul Coughing at Off Broadway Saturday, October 26 facebook.com/mikedoughty
Written by Will Kyle
Rate this item
(0 votes)

This year, Mike Doughty released a crowd-funded album that included re-recordings of old Soul Coughing songs -- mainly the best of "Ruby Vroomm" (1994), "Irresistible Bliss" (1996) and "El Oso" (1998). The record's name ridiculously lists all 13 tracks, but Doughty shortens it to "Circles" or "Circles Super Bon Bon..." for press purposes.

Generally, I like Doughty's re-recordings/imaginings. They are up-beat, brighter and more optimistic than the originals. Further, and in regard to songs that were once near and dear to my heart (and still are in most cases), I tend to like the older takes better, as is the case with "Circles," "So Far I Have Not Found the Science" and "Saint Louise is Listening," but on tracks that I don't remember as well, such as "Mr. Bitterness," Unmarked Helicopter" and "The Idiot Kings," I like the new cuts better than the old.

Before Mike Doughty performed at Off Broadway, the three-piece Sons of Hippies (from Tennessee) gave the early arrivers a taste of molten, psych-bar rock helmed by axe-woman and vocal-powerhouse Katherine Kelly. "Dark Daisies," from 2013's "Griffons at the Gates of Heaven," indulged in heady post-rock and reverb/echo-affected vocals from Kelly. A swoosh of colored hair fell around her face as her tattooed arm strummed an electric guitar on "Blood and Wine."

"Man or Moon" featured a slight West Coast vibe with sunny guitar. I dug how Sons of Hippies could go from deathy, nigh-Goth rock to trippy, lightly distorted '70s rock. "Blood in the Water" and "Spaceship" stood out as favorites, striking the perfect balance between Kelly's spoken-word style and her falsetto "ooos."

After a break and a quick setup, Doughty strode on stage with two supporting musicians, a drummer and an upright bass player. "Is Chicago, Is Not Chicago" opened with Katherine Popper's jazzy, poetry-club-esque upright bass and tight, tambourine-led drumming.

On "Sugar Free Jazz," the girls in the front row mouthed Doughty's words. "The Idiot Kings" hummed and whirred with buoyant guitar and Doughty's warm "hmmms." Doughty's voice has matured nicely into his 40s; its unusual nasal dryness has deepened, which added a nice element to the work.

"Unmarked Helicopters" pleased in its newly imagined form, while "Lazybones" found Doughty on some kind of digital modulator, manipulating blips and looping them to form the bed of the track.

Doughty's supporting band left the stage and the musician/poet jumped on a pair of turntables that supplied the musical undercurrent to his speaking/singing. "Screen Writer's Blues" and "Uh, Zoom Zip" shaded poetically lyric and dusky like a late-night hipster at a reading. "You are going to Reseda to make love to a model from Ohio whose real name you don't know" stood out as a favorite line.

After, Doughty started another LP on the turntable and played acoustic over the track, singing the words of "Mr. Bitterness." The lyrics slipped into the space of the track, unfolding clean and serene. Doughty's band returned for "Soft Serve," "How Many Cans?" "Monster Man" and "St. Louise Is Listening."

"Moon Sammy" trailed into "So Far I've Haven't Found the Science," and Doughty told the audience that he was going to play one more song, quit the stage and then play two more songs, which he assured us wasn't going to be a surprise.

"Super Bon Bon" and "Circles" closed out the encore. I rejoiced that I had finally heard "Circles" played live and wondered how many people in attendance had experienced the same jolt. Whether fans like the old or the new sound better proved to be irrelevant thanks to Doughty's skill and care. Moreso, it takes balls to delve back into old songs and make them work once again. In the end, Doughty brought his craft to St. Louis in fine fashion, offering fresh takes on old favorites, reminding everyone that good music is timeless and there is always room for revision.

Upcoming Concerts

Sponsor Message

Become a Sponsor

Find KDHX Online

KDHX on Instagram
KDHX on YouTube
KDHX on SoundCloud
KDHX on Facebook
KDHX on Twitter
KDHX on flickr

Local Artist Spotlight


Durango

Sun October 26
Durango is a two-man band with a progressive, heavy rock sound. The band's latest album, "Technologigical Advances," is a concept album that is meant to be heard as a whole unit. To download a track from…

Lida Una

Sun October 5

88.1 KDHX Shows

m-crowd.jpg

KDHX Recommends

November
Thursday
06

Discovery Series: All The News That's Fit To Sing: The State of Protest Music in...

KDHX presents "All The News That's Fit To Sing: The State of Protest Music in 1968" as part of the Discovery Series. Series passports can be bought online. This event looks at the music and activism of 1968, through...


November
Friday
07

Art Attack 2014

Start your chainsaws, St. Louis. On November 7, KDHX presents Art Attack 6: a chaotic art auction that supports KDHX and puts the fate of 32 local artists in your hands. Join us for a night of fine art, drinks and destruction....


November
Wednesday
12

Beat Funktion

KDHX presents this Discovery Series show at The Stage at KDHX, featuring Beat Funktion with Silent Kid. Hip, ultra-funky, stylish, and all-Swedish jazz-funk sextet Beat Funktion pays homage to instrumental early ’70s funk,...


Get Answers!

If you have questions or need to contact KDHX, visit our answers portal at answers.kdhx.org.

Online Users

5 users and 8931 guests online
Sign in with Facebook

SYSTEM: S5 Box

Login/My Account

Sign in with Facebook