As a friend and I were leaving Webster University's small Stage 3 after seeing "Smokey Joe's Cafe: The Songs of Leiber and Stoller," he observed that the productions of the Webster Conservatory of Theatre Arts are a great bargain. You can see terrifically talented young people, directed by top-flight theatre folks, young people who may go on to be multiple Tony Award winners. Some have them have done so. And you can see them for less than one-tenth what you'd pay to see them later on Broadway.
I've seen "Les Miserables" several times at the Fox, in two versions, and a couple of times at The Muny. But the current production by the Alpha Players of Florissant is the first I've seen by a community theatre group. It will not be the last. It's a daunting project, and I hope it continues to be done as well as they're doing it at Alpha Players.
Some one-person shows have one character. Some have many characters. "The Purpose Project: Thao's Library" has one actor and one character, and they are the same person.
Some one-person shows have one character. Some have many characters. "Emergency," currently at The Black Rep, has one actor and many characters. Like most one-person shows, it's more storytelling than drama, though it has moments of theatrical excitement, thanks both to playwright Daniel Beaty and actor Ron Conner.
St. Louis Shakespeare is now performing The Two Noble Kinsmen because scholars have by and large agreed that Shakespeare wrote about half of it, probably when John Fletcher asked him to help give the Globe Theatre's audience something fresh. So The Two Noble Kinsmen is now considered part of the canon, and St. Louis Shakespeare is determined to do every play in the canon.
A rousing rendition of the title song from "Oklahoma!" can go a long way toward redeeming even a mediocre production of the musical. Fortunately, the current production by Family Musical Theatre needs little redemption.
"Les Miserables" is back at The Muny this week, just as it was back at the Fox last fall, and probably will return to each of them again and again. It is a very popular show.
The U.S. had been an Asian empire at least since the Spanish-American War. But the engagements in the Pacific in World War II brought the culture conflicts of East and West home more thoroughly than ever before, penetrating even that most popular and American of entertainments, musical comedy. The result was two of the finest works by the leading post-war words-and-music team, Richard Rodgers and Oscar Hammerstein II.
Have you ever seen "Nunsense"? Has anyone not seen "Nunsense" in one of its seven versions, 10,000 productions, or five DVDs over the last 30 years?