Seeing Hozier at the Pageant felt eerily similar to seeing Ed Sheeran, the now multi-platinum, multi-Grammy nominated troubadour behind "The A Team" and others, at the venue almost exactly two years ago.
When Trampled by Turtles last visited St. Louis, playing the main stage at LouFest 2013, I noted that I appreciated the fact that they stood in a row on stage, rather than in a cluster with one member taking the status of frontman.
The Cold War Kids perform partially like a jam band, partially like a punk band. Their chemistry shows and they clearly get along. The band's four members kick, bump and lean into each other and a few times bunched together as a pack onstage, almost like a mid-game team huddle.
The New Pornographers' sixth studio album is "Brill Bruisers," a fast, energetic record that showcases the band's numerous vocalists and musicians (Neko Case and Dan Bejar, to name a few). Heavy on synths, but also on guitars, it's a fresh take on rock 'n' roll, not afraid to explore new approaches and techniques.
"I'm just a weird guy trying to make everybody happy," Ryan Adams proclaimed halfway through his set on Sunday night. A crowd had gathered near the front of the Peabody Opera House stage, and those trying to see the show from their seats seemed visibly (and in one case, physically) disgruntled. After some pushes and grumbles from the crowd, Adams stepped in.
It is, in the cheesiest way possible, quite fitting that Temples played the Old Rock House on this visit to St. Louis. The Kettering, UK-based band quite literally play old rock -- glam-acid psychedelia straight out of 1960, down to the leather and charm.
A native of St. Louis, Jack Grelle has run the gamut of the city's musical communities, bouncing between punk and folk bands throughout the Midwest for close to a decade now.
My interview with John Gourley of Portugal. The Man was rescheduled twice, somewhat fitting considering how busy the Alaska-formed, Portland, Oregon-based band seems to be.
An adjective that frequently appears in descriptions of the Felice Brothers' music is "ramshackle," usually referring to their mix of classic folk and Americana instrumentation and rock and roll stomps.
It is rather unexpected that Sylvan Esso, the result of a synthesis between one member of psych-rockers Megafaun and one from Vermont folk group Mountain Man, would be so groovy, so wobbly and so electric.