"I'm just a weird guy trying to make everybody happy," Ryan Adams proclaimed halfway through his set on Sunday night. A crowd had gathered near the front of the Peabody Opera House stage, and those trying to see the show from their seats seemed visibly (and in one case, physically) disgruntled. After some pushes and grumbles from the crowd, Adams stepped in.
It is, in the cheesiest way possible, quite fitting that Temples played the Old Rock House on this visit to St. Louis. The Kettering, UK-based band quite literally play old rock -- glam-acid psychedelia straight out of 1960, down to the leather and charm.
A native of St. Louis, Jack Grelle has run the gamut of the city's musical communities, bouncing between punk and folk bands throughout the Midwest for close to a decade now.
My interview with John Gourley of Portugal. The Man was rescheduled twice, somewhat fitting considering how busy the Alaska-formed, Portland, Oregon-based band seems to be.
An adjective that frequently appears in descriptions of the Felice Brothers' music is "ramshackle," usually referring to their mix of classic folk and Americana instrumentation and rock and roll stomps.
It is rather unexpected that Sylvan Esso, the result of a synthesis between one member of psych-rockers Megafaun and one from Vermont folk group Mountain Man, would be so groovy, so wobbly and so electric.
Sharing stories that seem too mature for 24-year-old to possess, Jessica Lea Mayfield has been recording dark, eloquent alt-country since her late teens, and played in her family's bluegrass band for years before that.
About 10 minutes before Black Lips took the stage, a chant began: "T.P. party! T.P. party!" "T.P. party!"
In the late 1970s and early '80s, Gary Numan became a new wave messiah with his paranoia-filled robo-rock tune "Cars."