Grief over a child's death cuts deeper than words can communicate. This unbearable tragedy is the engine that drives "The Disappearance of Eleanor Rigby." Conor and Eleanor's baby boy died, throwing their relationship and every aspect of their lives into crisis. Eleanor moves back with her parents, Conor with his father, as both struggle with some semblance of constructive coping.
Director Terry Gilliam expresses his fertile visual imagination in his latest film, "The Zero Theorem." In it Christoph Waltz as Qohen Leth inhabits a futuristic world where he's plagued by THE eternal question: What is the meaning of life? What is the point? Qohen's pursuit of the answer gives Gilliam the opportunity to showcase his provocative inventiveness.
Terrence McNally's play "Corpus Christi" and James Brandon's documentary "Corpus Christi: Playing with Redemption" anchor the National Tour of the "I AM Love Campaign" at Webster University. The Tour states as its purpose "to promote the idea of love and equality for all." The Tour adds the explicit goal of "igniting deeper understanding between local LGBT and faith communities."
Writer/director Stuart Murdoch's "God Help the Girl" has as sweet a heart as its protagonist Eve does. In this age of so many mean-spirited offerings, that makes it a welcome change while it also offers a challenge, for this quietly effective story, set in a sunny Glasgow and peppered with musical interludes, unfolds slowly, with restraint.
Many gripping documentaries take the viewer to unexpected places with a first-hand, behind-the-scenes vantage point. That is exactly the case with Dr. and director Ryan McGarry's debut film, "Code Black." It immerses us in Los Angeles County Hospital's emergency room, specifically the lauded C-Booth trauma center, and the E.R.'s move in 2009 to the new L.A. County hospital.
In the age of cookie-cutter movies, along comes "Frank," as direct, atypical and surprising as its one word title. Who would imagine that a major star, Michael Fassbender, would play with a dissonant band--sound and personalities--all the while with a paper-mâché head completely hiding his features on and off stage? But that's the scene in "Frank."
When I saw the title of the film "Video Games: The Movie," I thought, "Well, finally a documentary about what most Hollywood movies have become, perhaps even an insightful, analytical dissection of recent blockbusters." Nope, truth lies with the title. "Video Games: The Movie" chronicles and surveys the history of games and gaming from its earliest years to today.
In the opening seconds of writer/director John Michael McDonagh's thought-provoking and unexpectedly funny "Calvary," words attributed to Saint Augustine appear: "Do not despair. One of the thieves was saved." Seconds later, text adds, "Do not presume. One of the thieves was damned." "Calvary" thereby announces its bifurcated agenda.
In Aaron Katz and Martha Stephens' meandering, plotless film "Land Ho!" with paid plane tickets, Mitch snookers his ex-brother-in-law Colin into accompanying him to Iceland. The country provides irresistibly beautiful backdrops--waterfalls, geysers, glaciers and misty landscapes. Mitch adds his boorish, sexist, and unpleasantly assertive self, transforming this road movie from engaging to exasperating.
Just when I thought Hollywood's mega-budget, special effects extravaganzas couldn't get any more elaborate or impressive, here comes "Guardians of the Galaxy" to, quite happily I must say, exceed expectations. Credit to native St. Louisan James Gunn, scriptwriter and director of one of the most wild and wonderful rides through Marvel Comics heaven.