It find it interesting that an IMDB listing on screenwriter and playwright William Gibson — he of “The Miracle Worker” fame — fails to mention his 1975 Christmas play, “The Butterfingers Angel, Mary & Joseph, Herod the Nut and the Slaughter of 12 Hit Carols in a Pear Tree” (hereafter “Tree”). Although, once you’ve covered dramatizing the early life of Helen Keller, tackling the birth of Jesus with talking trees and animals, a psycho Herod, a confused but patient Joseph, and a Mary who could probably reconcile the parties involved in the war in the Middle East, I think we’d all focus on the success with Helen.
Recently the Fabulous Fox Theatre was set to rocking for two performances of "Rain: A Tribute to The Beatles;" a two-hour homage to the Fab Four and dozens of the songs with which they revolutionized popular music.
I visited China a few years ago, but am sorry to say I saw none of any native Chinese theatrical arts while there. When I heard the Beijing Opera was coming to the Touhill Performing Arts Center on the campus the University of Missouri, I hoped to rectify my lack of exposure. I must say I came away enchanted and impressed.
Dr. Seuss, in his 1961 story, "The Sneetches," taught a lesson against prejudice that no Sneetch was different or better than any other Sneetch, whether or not they had stars on their bellies. Playwright Alfred Uhry is exploring a very similar issue of prejudice in The Theatre Guild of Webster Groves' current production, "The Last Night of Ballyhoo."
The Hawthorne Players, now in their 68th year, are currently staging a somewhat uneven production of "The Secret Garden" at the Florissant Civic Center Theatre.
George Bernard Shaw (1856–1950) was a prolific writer of letters, novels, and plays (more than 60 of the latter). ACT Inc, a St. Louis theatre company that delights in resurrecting little-performed plays of yesteryear, has mounted "Getting Married," written in 1908.
The Fox was a rockin' recently with three performances of the US touring production of "Rock of Ages." Rather than having anything to do with the Christian hymn of the same name, this extravaganza of 80's rock standards had the audience playing air drums and air guitars throughout the house.
What if you were foolish, and yet thought you were smart? Now extend that to everyone you know, all laboring under same delusion. Add music, color, costume, and a talented cast, and you have the world of "Shlemiel the First."
Mention “Musical Theatre” to the average Joe, and I think it’s a fair bet that what will be brought to mind is a story in which True Love conquers all, and you leave the theatre whistling something bright and breezy about raindrops on roses, love across a crowded room, or a sun that will come out tomorrow. This is not the case, however, with New Line Theatre’s current production of "Next to Normal," a musical that explores the depths of a battered psyche that foments little but anger and despair.
A Gnome for Christmas (Written by Sarah Brandt, Directed by Doug Finlayson) is a Holiday musical now being presented by the Imaginary Theatre Company, the resident, professional, touring ensemble of The Repertory Theatre of St. Louis.