The early bird gets the worm, but it was the early crowd that filled the tables at the Old Rock House long before the first strum of guitar on Thursday. On stage, the congestion of the floor was matched by the clutter of the eight-piece Mingo Fishtrap, set to open the show. The Austin-based band broke the ice with comforting instrumental introduction, but by the time they dropped the first groove, the floor space had already disappeared from sight.
Grieves breathes the heart of soul and mood of the blues into hip-hop with a semi melodic flow over shadowy, minor toned production.
The Firebird opened its doors a little early for the all-ages show Saturday and the ambitiously punctual crowd filled the floors, eager to welcome a night of northwestern hip-hop. Headlined by Seattle's eternally boy-faced Grieves, the night also featured Fearce Vill, with a few guests of his own, and Vancouver's SonReal. The crowd was young and a little inexperienced at concert courtesy but the music prevailed and created a greatly enjoyable night.
Comprised of septet of professionally trained musicians, Sidewalk Chalk combines jazz with hip-hop in a blend of rhythm and rhyme that melts into a smooth and creamy approach to both genres.
Since late last year, the Studio room at the Kranzberg Arts Center has become home to a special treat for St. Louis hip-hop fans: an intimate sitting room that's already hosted many of the local scene's most instrumentally focused artists.
With whisper and a hum, the saxophone-led Dave Stone Trio embodies the modern legacy of straight ahead jazz in St. Louis.
When you dare to combine genres of music, you dare to combine more than simply sound and style. An audacious blend of music can bring together diverse cultures, and in the realm of American society there are few backgrounds more disparate than that of small-town bluegrass and the deep urban flavor of hip-hop. On Thursday night, the 2720 Cherokee Performing Arts Center made easy work of the task, lead by the prototypical alchemist of the genres, Gangstagrass.
Keller Williams has characterized the life of the constant touring musician for more than two decades, persistently evolving and redefining his style, methods and accompaniment while reimagining his own work and others' each step of the way.
It was a night with endless musical choices in St. Louis as the best of the local scene offered a list of pre-Mardi Gras events in addition to our standard Friday selection of concerts, but the Sheldon had little trouble filling its concert hall. The split bill drew in a blend of aficionados from both American and African folk music for a night that beautifully illustrated familial connection in the musical roots of both continents.
It's not at all common to find music at Jazz at the Bistro on a Monday night, but the polar vortex had its way and kept the Matt Wilson Quartet -- with special guest John Medeski -- from making it to town for the intimate listening room's traditional Wednesday start.