There are many new aspects of Jazz St. Louis’ newly renovated Harold Jazz Center, but one of the finest additions turns out to be something old. Rich McDonnell, founding board member and longtime supporter of jazz, was lost this past year, and the Ferring Jazz Bistro has the honor of housing his classic, Hammond B-3 organ, one of the most renowned instruments in jazz.
Even before the musicians emerged from the green room, the stage told a story of creativity and modern experimentation. At the forefront sat Jeff Coffin's trio of saxophones and flute beside Bill Fanning's trumpet, each accompanied by a board of effects pedals and other toys generally belonging to electric guitarists and bassists.
It was a remarkably quiet night in midtown without the typical competition from the neighborhoods bounty of venues and arts attraction, but the Ferring Jazz Bistro was full of life and eager fans of the Joshua Redman Trio.
The newly renovated and how to write a essay expanded Ferring Jazz Bistro offers an amply wide stage, but the John Pizzarelli Quartet opted to set up huddled together in the middle, staying within a whispers reach of the band leader at the front of the stage.
Enthralled with roots culture and ardently passionate about music, Groundation's Harrison Stafford epitomizes the progressive master of reggae.
The difference between legend and legacy can seem muddled to a few, but ultimately, many realize that it's marked by a single concept, impact. While many would consider Stanley Clarke to be a living legend in the world of jazz and the bass, his appearance at the helm of Stanley Clarke Band at the Pageant on Tuesday night illustrated more than simply his prowess as a musician, but also the lasting effect he has on the youth that join him on stage and nearly every modern jazz musician that has risen through the ranks. With over four decades of experience, Clarke's discography depicts the changing face of jazz while his energy mobilizes its future.
For over four decades, Stanley Clarke has been reinventing the role of the bass and the very shape of jazz. He started by supporting many of the greatest names in the scene before forming the eminent fusion group Return to Forever with pianist Chick Corea and beginning his solo career.
With the newly expanded and renovated Harold & Dorothy Steward Center for Jazz to flaunt, Jazz St. Louis started its 20th season with one hometown hero saxophonist David Sanborn.
With over an hour until show time, the floor space in front of the Plush stage was already at a premium, contested by an ever thickening group of the most dedicated fans.
The early bird gets the worm, but it was the early crowd that filled the tables at the Old Rock House long before the first strum of guitar on Thursday. On stage, the congestion of the floor was matched by the clutter of the eight-piece Mingo Fishtrap, set to open the show. The Austin-based band broke the ice with comforting instrumental introduction, but by the time they dropped the first groove, the floor space had already disappeared from sight.