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KDHX Playlist Info:

Spinitron - KDHX: Music from the Hills Sun Oct 14th 2012

88.1 KDHX Saint Louis

Independent Music Plays Here

Music from the Hills (Music)

Sun Oct 14th 2012 4.00pm–6.00pm

R=listener request. N=music new at the station. L=local music. Your purchases using the Buy it! links

Time zone: central


Savina Yannatou and Primavera en Salonico “Alta es la luna”
from Anoixi sti Saloniki (Lyra www.lyra.com 1995) —this is Sephardic Jewish music from Greece. After the Jews were expelled from Spain in 1492 many settled in what was then the Ottoman Empire, particularly Thessaloniki (the "Salonica" of the band's name), Istanbul, and Izmir (Smyrna).


Elena Ledda “Filugnana”
from Sardegna - Antologia della Musica Sarda [Disc 2] (Recording Arts 2003) —Elena Ledda comes from Sardinia and, even these pop-oriented pieces, keeps the pungent harmonies and odd 3-measure phrasing of Sardina in the basic structure. She uses the same bell-like tone that is prized by singers across the northwest Mediterranean a


Elena Ledda “Dilliriende”
from Maremannu (Dünya 2000)


Elena Ledda “Procurade”
from Tutti Baci (Lyra www.lyra.com 2006) —this is a Sardinian dance tune in the usual 6-beat form. It starts out traditional, then adds instruments and, finally the voice. These are circle and couple dances. Look up "Sardinia" on YouTube and look at the non-stageed dancing by young folks - wil


Mighela Cesari “U Viaghju (Le Voyage)”
from Di Li Venti, A Rosula (Compass Rose), Mighela Cesari canta Mighele Raffaelli (Chorus/Auvidis 1997) —also off the western coast of Italy, but north of Sardinia, lies Corsica, which has historically been tied to France, but has a more Italian dialect. Known for its polyphonic vaocal singing (see the next track) it also is home to great solo singers


Maria del Mar Bonet “Jota marinera”
from Saba de Terrer (Ariola-Eurodisc (LP) 1981) —This is now available in digital download from several sites (legal). This singer was born on the island of Mallorca and does most of her work in Barcelona now. She usually sings in Catalán, not Spanish


Maria del Mar Bonet “La Dansa de La Primavera”
from El Cor del Temps (Picap 1997)


Maria del Mar Bonet “Inici de Campana”
from El Cor del Temps (Picap 1997)


Amalia Rodrigues “Cana Verde Do Mar”
from Folclore À Guitarra E À Viola (EMI 1988) —This is not "Fado", but a folk dance-song. The singer is the most famous Fado singer of all time, but she occasionally would record Portuguese folk songs.


Amalia Rodrigues “Sem Razão”
from Queens Of Fado (ARC www.arcmusic.co.uk 2000) —This is classic Fado - sad even when in the major key, one singer accompanied by the Guitarra Portuguesa and "viola" (what we would call a Spanish guitar.


Mariza “O Silencio Da Guitarra”
from Fado Curvo (Times Square 2003) —one of the best of the new Fado singers, she experiments with influences from other nightclub styles.. She gave a concert here in St. Louis a few years ago. The encore was completely traditional and unmiked. I would give anything for a recording of it.


Mariza “Maria Lisboa”
from Fado Em Mim (World Connection 2001)


Mísia “Duas Luas”
from Ritual (Erato 2001)


Cristina Branco “Murmurios”
from Murmúrios (l'empreinte digitale 1999) —this is one of the first recordings of this remarkable artist. She originally watned to be a pop singer and grew up, she says, thinking of Fado as an old-fashioned style not suited to her temperament, but a friend brought her records, she fell in love wi


Cristina Branco “Manto De Açucenas”
from Post-Scriptum (l'empreinte digitale 2000)


Luís Penedo (guitarra portuguesa) & João Machado (viola) “Fado em Lá Menor”
from Emoções 1 ((private label) 2003) —during any Fado evening, the Guitarra player will have a solo or 2 in the style, just as there are instrumental Doinas in Romania


Candida Ramos “Fado Das Contas”
from Fado De Lisboa - Vol. 2 (Membran Music) —one of the older generation Singers. This is reissue.


Pedro Caldeira Cabral “Variacoes Sobre o Fado Lopes”
from Portugal- Variações - Guitarra Portuguesa (Network www.networkmedien.de 1992) —here the guitarra player has taken a well-known Fado tune and built instrumental variations on it


Maria da Fé “Meu Nome Baila No Vento”
from Tudo Isto É Fado Vol. 1 (Membran Music)


Carlos Paredes “António Marinheiro”
from O Melhor De Carlos Paredes - Guitarra (Som Livre 2007) —my favorite of the Guitarra Portuguesa players, his complex, yet emotional, renditions of Fado tunes is aided by a phenomenal technique


Alice Maria “Não Chores Porque Te Espero”
from Tudo Isto É Fado Vol. 1 (Membran Music)


Argentina Santos “Renascimento”
from Argentina Santos (Fado Antologia) —This was purchased in Lisbon, but her work can be found on various anthologies. There is a Fado museum in Lisbon where one can buy everything from current artists to compilations of older recordings going back 60-70 years.

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