Youth Lagoon's second album, "Wondrous Bughouse," captures the mercurial cerebrum of a 20-something thinker with aural examples of torturous moments in young adulthood. In lieu of conversation, Trevor Powers will exorcise his chronic anxiety by making records with vistas of psychedelic musical plains. These pathways to Powers' mind funnel in the ambience of the Cocteau Twins and mysticism of Tangerine Dream.
Thao Nguyen formed the basis of Thao & the Get Down Stay Down around 2004 with drummer Willis Thompson in Falls Church, Va., later picking up (and, since then, dropping) musicians Adam Thompson and Frank Stewart and relocating the duo's efforts to San Francisco.
Sometime last year, I tweeted that I'd really like it if someone could send me a list of all possible types of "core" music. I'd heard of grindcore, nerdcore and of course hardcore, but it seemed like the core family tree had the potential to be vast and ridiculous, and I figured the Internet could help. However, like most of what I put on Twitter, this request garnered minimal response.
"Tender Is the Night" is the fifth solo collection from Old Man (Chris) Luedecke, and it feels like some of the musical ideas he's been working with are really beginning to gel. His writing has always been very strong, remaining true to the roots of American folk and country music, though dealing with modern themes and ideas.
Oh, Canada. I've always thought that Canada and St. Louis have a lot in common. Both experience frigid winters, both are relegated in popular conscience as being backwaters of significant size and both carry an inferiority complex about their place in that conscience, because both know that they're capable of so much more than anyone gives them credit for producing.