It was a case of saving the best for last this weekend as the St. Louis Symphony concluded its four-week "Beethoven Festival" with stunning performances by guest conductor Jaap van Zweden of the Fifth symphonies of Beethoven and a composer who greatly admired Beethoven, Dmitri Shostakovich.
The St. Louis Symphony's "Beethoven Festival" concludes this weekend with Beethoven's Greatest Hit, the "Symphony No. 5 in C minor, Op. 67." In an ingenious bit of programming, it's paired with another fifth: the "Symphony No. 5 in D minor, op. 47," composed in 1937 by Dmitri Shostakovich. Jaap van Zweden conducts.
The symphony's "Beethoven Festival" continues this week with a powerful reading of Beethoven's "Symphony No. 3 in E-flat major, op. 55," (the "Eroica") and brilliant performances of two new works composed by viola soloist Brett Dean, one of which is inspired by Beethoven.
This weekend's St. Louis Symphony concerts continue the "Beethoven Festival" as David Robertson returns to the podium for the first time in the new year to conduct a newly minted viola concerto and two works directly related to Beethoven's famous 1802 "Heiligenstadt Testament." One—the "Symphony No. 3 in E-flat major, op. 55," known as the "Eroica"—is by Beethoven and the other by the composer of the viola concerto, Brett Dean. Neat bit of theme programming, that.
This weekend the second of the symphony’s four "Beethoven Festival" concerts brings us music of Beethoven, a write an essay younger contemporary of Beethoven, and a 20th century composer who acknowledged Beethoven as a major influence—all done up by guest conductor Andrés Orozco-Estrada in that dramatic, late Romantic Austro-German style I associate with the recordings of Bruno Walter and Otto Klemperer that were so much a part of my youth.