The mystery of a wife's disappearance is the catalyst for "Gone Girl," but that unknown doesn't drive director David Fincher's film. There are no spoilers here since early in the film the woman in question--Amy Elliot Dunne--begins to narrate her point of view. An intriguing back and forth follows, more ingenious than a whodunit.
The inimitable writer/director Terrence Malick has crafted another tone poem, this one a meditation on various aspects and stages of love. He focuses on a central couple: the American Neil and Frenchwoman Marina. Secondarily, a Spanish speaking Father Quintana interrogates his failing faith and Neil renews a prior friendship with Jane.
As 2012 ends, the best films deserve acknowledgement, a tip of the hat. Here are the films I most admired in 2012, those that entertained as well as inspired, that offered insight as well as consummate cinematic experiences.
Director Ben Affleck’s “Argo” has every element an entertaining film could want: terrific cinematography, solid sound design, a clever script, breathtaking pacing, brilliant editing, and superb acting—all in the service of a dynamite story based on real, mind-boggling events. It begins with the 1979 storming of the US embassy compound in Tehran.