Film directors crave recognition as distinctive, unique voices and stylists. Add a bonus for entertainment value, and this achievement becomes exceedingly rare. But not for writer/director Wes Anderson whose signature defines his films as definitively HIS--a combination of an offbeat, appealing humor and an atypical, stylistic presentation. Anderson is, in essence, fresh and original.
Maybe if "Hyde Park on Hudson" had stuck with one main story, it would have succeeded, but in trying to tell two stories, and not telling either with clarity or purpose, the film becomes seriously flawed, although not less worthy of discussion as a film and history, albeit plastic.