Complete with emphatic narratives and a fiery ensemble of string instruments, the latest release from Old Crow Medicine Show, "Carry Me Back," is the group's most spirited and sophisticated album yet.
Rolling traditional ideas together with a progressive ethos, the Hatrick pushes the boundaries of bluegrass and folk with a carefree attitude.
"Across the Imaginary Divide" is another foray for Béla Fleck into jazz, coupling with a pianist much as he has done with Chick Corea in their live shows and on their CD "The Enchantment" (2007). The trio is filled out by Rodney Jordan on bass and Jason Marsalis on drums.
Nashville's hot new item, Humming House, harnesses Americana and throwback folk-pop to reinvent tradition.
Mike Compton reminds us of all the reasons why it's worth staying close to the traditions.
Initially a tribute to the late Merle Watson, Doc Watson's son and musical partner, MerleFest has evolved into one of the biggest festivals of its kind, on par only with Hardly Strictly Bluegrass in San Francisco, both of which draw between 70 and 80,000 people each year.
Sara Watkins has spent most of her young life on stage making music, but only in the past few years has she stepped up to the mic alone to pour her songs out into the world.
The lights dimmed to darkness in the Sheldon Concert Hall to signal the Flecktones making their way to the stage. A moment of quiet settled in.
"Rotten Taters" is, unbelievably, the first solo release from a mandolinist that, despite playing Carnegie Hall and the White House, simply should be more widely known than he is.