Currently in only its fourth season, the Metropolitan Orchestra of St. Louis has already emerged as one of the most significant new voices in the St. Louis arts scene. Since its founding by Allen Carl Larson, now designated as Conductor Laureate, the orchestra has demonstrated solid professional growth, characterized by a bold yet lyrical and smooth tone, with careful phrasing and impeccable intonation.
This weekend the second of the symphony’s four "Beethoven Festival" concerts brings us music of Beethoven, a younger contemporary of Beethoven, and a 20th century composer who acknowledged Beethoven as a major influence—all done up by guest conductor Andrés Orozco-Estrada in that dramatic, late Romantic Austro-German style I associate with the recordings of Bruno Walter and Otto Klemperer that were so much a part of my youth.
The "Beethoven Festival" continues this Friday through Sunday with what is probably his grandest piano concerto—the Fifth, known as the "Emperor Concerto"—along with a concerto of a very different sort from Béla Bartók and an overture to a failed Medieval fantasy opera by Carl Maria von Weber. Andrés Orozco-Estrada conducts with piano soloist Louis Lortie.
Nicholas McGegan, who is conducting the St. Louis Symphony in a program of (mostly) 18th-century classics this weekend, is clearly a man who enjoys his work. As he bounded out to the podium for this morning's Krispy Kreme Coffee Concert, his face alight with a cherubic smile, his body language was saying: "this is going to be FUN!" And so it was.