Refusing to give in to current EDM trends, Joel Zimmerman (aka deadmau5) crafts an inward-facing album of bare progressive house with "while (1<2)."
Dutch producer, Martyn, synthesizes his way into the minds and souls of listeners with his third full-length album, "The Air Between Words."
There are many ways to describe what it's like to listen to the new PHOX album, but let's allow Jimi Hendrix to take it away: "You make me wanna get up and scream...I'm tired of wasting all my precious time, you've got to be all mine, all mine...Foxy Lady." Or in this case, "Phoxy."
With a nod to greats like Johnny Cash and Waylon Jennings before her, Nikki Lane proves with "All or Nothin'" that you don't need a Y chromosome to make rootsy, aggressive outlaw country.
After a label change, which gave the sibling duo courage and freedom to do things their way, the Belle Brigade is back with their second studio album, "Just Because."
Though West Africa's melodic drumming and drive gave birth to rhythm and blues, jazz and funk, Muyei Power's Afrobeat album "Sierra Leone in 1970s USA" proves that James Brown and his funky drummer's music did not groove down a one-way street. Can you dig it?
Like school children sending notes back and forth across the classroom, Ted Leo and Aimee Mann were constantly exchanging songs cross-country in preparation for "The Both." Their debut release isn't so much a work of two separately renowned artists, but one in which the Both come together to create something unified, cohesive and extraordinarily catchy.
The War on Drugs truly creates a genre of its own, combining the electricity of psychedelia with the craftsmanship of veteran songwriters. It may be hard to fathom, but worry less about categorizing and temporarily drift away via "Lost in the Dream."
"Locus" effortlessly flows in and out of structural time constraints with the unlikely combination of cornet, balaphone and the Nintendo Game Boy. If you have any naive assumptions about the Chicago Underground Duo, they are most likely wrong.