This weekend brought electrifying performances of a pair of 19th century classics: Max Bruch's "Violin Concerto No. 1" and Hector Berlioz's "Symphonie Fantastique." Rounding out the concerts was a bit of old Bach wine in new bottles by Cindy McTee, whose "Double Play" was such a delightful discovery last January.
When the phrase “inside baseball” pops up in the performing arts, it usually refers to a work that assumes some additional knowledge on the part of the audience in order to be fully appreciated. The jokes in many of the Hoffnung Music Festival recordings, for example, take it for granted that the audience is pretty familiar with the standard classical repertoire.