The rush of winter winds, the clap of thunder, the pounding of rain, the buzzing of insects, the barking of a dog, the slipperiness of ice, the languor of summer, the singing of not just one bird, but multiple species—all these were engraved into Antonio Vivaldi’s remarkable set of violin concertos dating from 1725, “The Four Seasons.” Today we take them for granted, and even the least musically educated among us know them, but in their day these four short concertos brought the Baroque period to a higher level of innovation and creativity.
Looking for something different in holiday entertainment? Seriously consider "A Winter Fable," the current collaboration between Circus Flora and the St. Louis Symphony. It features great music by Steven Jarvi and the symphony—including some rarely played pieces by Ippolitov-Ivanov, Dvořák, and Janáček—and an impressive array of circus acts. It's major holiday fun.
As I said in my first symphony preview post this week, the main event at the St. Louis Symphony this weekend is Vivaldi’s “The Four Seasons.” Steven Jarvi is at the podium and the violin soloists—all drawn from the symphony string section—are Jessica Cheng (“Spring”), Angie Smart (“Summer”), Jooyeon Kong (“Autumn”), and Alison Harney (“Winter”). What I left out was any mention of the other two works on the program.
This weekend (December 5-7, 2014) the major work on the St. Louis Symphony program is the set of violin concertos by Antonio Vivaldi known as "The Four Seasons." It's a popular work with performers and audiences alike. As I discovered in my research for this post, it also has a long and significant history with the SLSO.
Looking for a Thanksgiving weekend treat that avoids the teeming multitudes at the malls and movie theaters? Take my advice and head over to Powell Hall for a bracing concert of American music for this most American of holidays.
"An Experiment in Modern Music" was how bandleader Paul Whiteman billed the February 12, 1924 concert by his Palais Royal Orchestra at New York's Aeolian Hall. This weekend at Powell Hall, the St. Louis Symphony will recapture some of the excitement attendant on that legendary program.
The title of Friday's St. Louis Symphony concert said it all: "Music You Know." Presented by The Whittaker Foundation, the evening probably was, for the many of those in attendance, something of a reunion with old friends.
Great composers are great because they have important things to say. But it takes a great conductor and great musicians to fully express the composer's ideas. Fortunately, the St. Louis Symphony delivered mightily in all three areas this weekend.
Kicking off its eighth season, Winter Opera staged its first Mozart opera, "Le Nozze di Figaro." The company's rendition of Mozart's tapestry of love, trickery and royal buffoonery bubbled onstage like champagne, bursting from a fountain of melodies.
Although the program opened with a piece entitled "Landscape" by Polish composer Andrzej Panufnik (1914-1991), it seemed as though the "Symphony No. 1" by Jean Sibelius (1865-1957) led the listener into an internal, uncharted landscape all its own. The energy that invigorates the works of the great Scandinavian composers exerts an uncanny ability to transport audiences as though they were on a steamer or train touring the vast mountains, forests and fjords of northern Europe.