Jam veterans Widespread Panic returned to St. Louis on Tuesday night for the first of two shows at Peabody Opera House as part of its fall tour. As a diehard fan of the band for nearly 25 years, I was of course excited to spend some time with them once again in my home city at such an intimate venue.
"I'm just a weird guy trying to make everybody happy," Ryan Adams proclaimed halfway through his set on Sunday night. A crowd had gathered near the front of the Peabody Opera House stage, and those trying to see the show from their seats seemed visibly (and in one case, physically) disgruntled. After some pushes and grumbles from the crowd, Adams stepped in.
Strictly speaking, Carolina Chocolate Drops aren’t simply an Americana band. They’re a bona fide history lesson.
It is, in the cheesiest way possible, quite fitting that Temples played the Old Rock House on this visit to St. Louis. The Kettering, UK-based band quite literally play old rock -- glam-acid psychedelia straight out of 1960, down to the leather and charm.
You don't get the impression that Sharon Van Etten is a tour-de-force talent when you're talking to her one-on-one. But that's exactly what she is -- an artist with a simple sound of great magnitude. At first thought, the Luminary seems like a small venue for such an growing artist. But the intimate space only allowed her to shine brighter.
The difference between legend and legacy can seem muddled to a few, but ultimately, many realize that it's marked by a single concept, impact. While many would consider Stanley Clarke to be a living legend in the world of jazz and the bass, his appearance at the helm of Stanley Clarke Band at the Pageant on Tuesday night illustrated more than simply his prowess as a musician, but also the lasting effect he has on the youth that join him on stage and nearly every modern jazz musician that has risen through the ranks. With over four decades of experience, Clarke's discography depicts the changing face of jazz while his energy mobilizes its future.
Not to be confused with the actual, government-sponsored campaign of the same moniker, Philadelphia rockers the War on Drugs give the impression that maybe we should all be taking something.
The last time the Rural Alberta Advantage came through town, tornadoes and technical difficulties kept the Canadians' set short. This time they brought a night of perfect weather and some of the greatest tunes that America's hat has ever produced.
tUnE-yArDs at the Ready Room stole the attendance award on Thursday night in St. Louis. As the Demo's neighbor nabbed heads for Merrill Garbus' looped avant-pop recital, Wampire stared down a mellow gathering of perhaps 25 fans. It's worth noting that October 7, 2014 was the release date for Wampire's sophomore effort "Bazaar." Few in that room, save for the band, seemed to be aware.