If the 1807 premiere of Beethoven's "Mass in C major" at the court of Prince Nikolaus Esterházy had been as good as the performance we got from David Robertson and the St. Louis Symphony Orchestra and Chorus Friday night, the prince might have been less of a jerk with the composer afterwards.
This weekend two of the three works on the St. Louis Symphony program are making their first appearances on the Powell Hall Stage. That's not exactly news; the SLSO has given local audiences a good many local and even world premieres over the years. What's remarkable is that this time the local premieres are by Beethoven.
We may never know who first applied the nickname "Jupiter" to Mozart's last symphony—American musicologist Daniel Heartz posits that it was impresario Johann Peter Salomon—but it's not hard to see why the name stuck.
Have you ever wondered who comes up with those descriptive little subtitles that accompany so many notable compositions? I'm talking about Beethoven's "Moonlight" Sonata, Mendelssohn's "Scotch" Symphony or the "Gypsy" rondo movement from Haydn's "Piano Trio No. 39"? The answer varies, but the one thing you can count on is that it probably wasn't the composer.
In my last symphony preview post, I gave you a glimpse at the upcoming Christmas concerts. This time, let's look at the post-Christmas action.
Looking for a Thanksgiving weekend treat that avoids the teeming multitudes at the malls and movie theaters? Take my advice and head over to Powell Hall for a bracing concert of American music for this most American of holidays.
Arguably today more than ever, the voice of the cello is impacting music of all styles, from classical to jazz to alternative rock. Its strength and humanity, as well as its remarkable range, move the soul of the listener from deep within. One of the principal exponents of the cello today is Daniel Lee, the brilliant young Korean-American musician who has made St. Louis his home since assuming the post of Principal Cello of the St. Louis Symphony in 2005.
"An Experiment in Modern Music" was how bandleader Paul Whiteman billed the February 12, 1924 concert by his Palais Royal Orchestra at New York's Aeolian Hall. This weekend at Powell Hall, the St. Louis Symphony will recapture some of the excitement attendant on that legendary program.
The title of Friday's St. Louis Symphony concert said it all: "Music You Know." Presented by The Whittaker Foundation, the evening probably was, for the many of those in attendance, something of a reunion with old friends.
There are only two pieces on the program this Saturday and Sunday at the symphony, and even though they were written less than 60 years apart, the contrast between them is so stark that they might as well be from different worlds.