Nine years in the making, Shane Salerno's documentary "Salinger" tackles that resolutely reclusive, famous writer. Roughly chronological in its exploration of J.D.'s life, "Salinger" uses archival photographs, repeating a couple from WWII, plus the few photos captured by stalkers before Salinger's 2010 death. To this, it adds interviews with two significant women in his life, testimonials, and hokey reenactments.
Firm in the conviction that "No revenge, no anger, no hate will move us forward," Israeli mother Robi Damelin anchors the documentary "One Day after Peace." Born in Johannesburg, South Africa, Robi lived in Israeli in March 2002 when a lone Palestinian sniper killed ten Israelis, seven soldiers, among them her son David.
As incredible as it is inspirational, the documentary "Rising from Ashes" tells the story of Rwanda's first competitive bicycle team. While the tragedy of the 1994 genocide of an estimated one million Tutsis at the hands of the Hutus merited significant media coverage, little notice has been given to this amazing chapter worthy of international praise.
For anyone who loves animals or has any empathy, director Gabriela Cowperthwaite's documentary "Blackfish" is as heartbreaking as it is challenging to our definition of humane and intelligent treatment of animals in captivity, especially those that perform for audience's pleasure and businesses' profit. Posing critical questions, "Blackfish" scrutinizes orca whales trained and presented by SeaWorld Entertainment.
Never a slavish follower of hackneyed conventions, Sarah Polley has forged a fresh approach to film as a writer, actor, and director. She continues her unusual and provocative career with the personal documentary "Stories We Tell." Writer and director Polley pursues one of the toughest questions she could ask: Who really is my father?
Documentaries about artists confront the dual difficulty of illustrating the achievements of and providing insight into the individual under scrutiny. In that regard, director, producer and cinematographer Ben Shapiro offers a model of how to achieve success: listen to the artist and unobtrusively watch him work. When the subject is Gregory Crewdson, that is entirely sufficient.
Capturing the energy and essence of an artist is difficult: depicting creativity and then the way ideas translate to artistic expression. Director Neil Berkeley undertakes this formidable task in his documentary “Beauty Is Embarrassing.” His subject is Wayne White, for over 30 years a puppeteer, painter, cartoonist, sculptor, musician and composer.
After close elderly relatives die, surprising discoveries often await their families as they sort through items kept, perhaps treasured. But after the death of his 98-year-old grandmother Gerda, nothing prepared writer/director Arnon Goldfinger for the window that opened for him on a past his grandparents, Gerda and Kurt Tuchler, never talked about.
I’d venture to say that few people would think about chess competition when asked about associations for Intermediate School 318, called I.S. 318, a Brooklyn middle school. As director Katie Dellamaggiore notes, 70-75% of the students’ families exist below the poverty level. And, oh yes, I.S.318 is a chess powerhouse.
Director Linda Goldstein Knowlton’s documentary “Somewhere Between” profiles teenagers—Haley, Ann, Jenna and Fang. They represent four of the approximately 80,000 girls adopted by U.S. families after the 1979 implementation of China’s one child policy. The catalyst for Knowlton’s keen interest is the adoption of her own Chinese daughter, Ruby.