LouFest returned to Forest Park's Central Field for its fourth year on September 7 and 8.
Rain splattered St. Louis Sunday morning. The sight recalled last year, when LouFest was temporarily halted prior to Son Volt's set as a colossal storm pounded Central Field into a muddy pulp.
The walk up to the LouFest's gates -- austere and reminiscent of the devices used to bottle up manic thoroughbreds before the race -- was dotted with satellite festival-goers with salt and pepper manes and swollen coolers.
Seattle, thank you. You were sunlight and summer for three straight days, saving your typically relentless rain for the personalized autograph of a goodbye drizzle -- a little reassurance found with just a closer look.
Trampled by Turtles have become the road warriors of the post-bluegrass, neo-folk, Americana whatever you want to call it scene.
The stories about the 40-day dream that birthed Edward Sharpe and the Magnetic Zeros (Jade? Alexander!) abound, and I, for one, was janglin' to know just who is this messianic figurehead.
With their sophomore effort "Amelita," Texas duo Court Yard Hounds embrace breezing southwest-folk style with biting lyrics sung in ringing harmonies by sisters Martie Maguire and Emily Robison.
After a show in Des Moines, Ia., Kyle Henderson, 24-year-old front man of indie-rock band Desert Noises, tries to wake up for his 2 p.m. interview with some late afternoon breakfast in his hotel. It wasn't for another few hours that he and the gang would have to be in Lincoln, Neb. for the next gig at the Bourbon Theatre, so there was no rush.
Bumbershoot, a portmanteau for an umbrella, started as a jazz festival with the hook that the mayor would watch over your children.
Legend has it that Fitz and the Tantrums formed around an organ -- band leader Michael "Fitz" Fitzpatrick's Conn electronic organ to be precise. Keyboardist Jeremy Ruzumna, who has been with the band from the start, took that organ-driven sound and ran with it.