With only two earnest SXSW Music nights left, and an overstuffed head of unforgettable memories and music, I set out with a now insatiable appetite for more. More venues, more music, more Austin, as much as possible, as much as I could live; the unfortunate end to the sheer dreamlike sequence I'd been savoring was looming.
People came from all over the world came to perform and be a part of the SXSW festivities in Austin, Texas this year.
In Austin, "live music capital of the world," one will find music and a crowd no matter where he or she goes during SXSW: people line every street and bands wanting an extra show occupy sidewalks. Open bar windows let the sound spill out to make damn sure everybody knows there's another gig to be enjoyed.
Armed with pens, notepads and, most motivating, the sense I'm well in over my head even before the trip to SXSW 2013 – thousands of bands, at dozens of venues, sprawling over six days and only a few square miles – the pure sense of Austin as Elysium is crossed with the inherent need to stay abreast of it all.
The SXSCity music festival rambled to a close on Monday night with an eclectic bill taking the stage at Off Broadway.
Wanee Festival, hosted each spring by the Allman Brothers Band at the Spirit of the Suwanee Music Park in Live Oak, Fla. has grown by leaps and bounds over its nine years to become one of the larger music festivals in the country -- expanding from two days originally to three and 30+ bands performing on multiple stages.
"All the bands involved are genuinely excited about being involved. It's kind of something that's bigger than all of us," Matt Stuttler says of Garagefest, the three-day festival scheduled to take place February 21-23 at the Heavy Anchor.
The "King Biscuit Time" radio show aired in Helena, Ark. for the first time in November of 1941 and featured mostly African American musicians.
St. Louis turned out in high spirits for Del Yeah! -- an outdoor/indoor bluegrass festival last night at the Old Rock House.