Recorded under the sparest of conditions -- apparently just two microphones and an open door -- Gwyneth Moreland's "Little Black Flies" finds the Northern Californian in a timeless, contemplative folk mood that lingers long after the small but lovely song is through.
Lilly Hiatt's lovely twang is sharp at times and lulling at others in these three pared down versions of songs from her sophomore LP, "Royal Blue."
Hannah Aldridge's debut album, "Razor Wire," was released in mid-2014. Newly-divorced, and in a self-confessed "dark place," Aldridge made an emotional about-face from sessions recorded in her hometown of Muscle Shoals, Alabama and instead turned to Nashville, Tennessee.
The title to the new cut "Baseline" by Ann Arbor, Michigan songwriter Vincent Colbert describes both his theme and his pared-down but still intricately acoustic sound. "Addicted to progress and chained to sucess, we're holding our breath just to fill these shoes." Words to try to live by in these often maddeningly competitive times.
Strictly speaking, Carolina Chocolate Drops aren’t simply an Americana band. They’re a bona fide history lesson.
Singer and songwriter Dave McPherson, best known for his work with UK alt-metal band InMe, demonstrates the power of his plaintive voice, furtive guitar and searching lyrics on the new solo acoustic track "Nothing Is Enough."
The pristine and rugged landscape of Bitterroot Valley, Montana provides the context for Skye Steele's evocative vision of folk music. Droning fiddle, sparkling banjo, drifting piano and streams of vocals create a yearning soundscape on the song "Hiromitsu & Yuko."
Jackson Browne wrote "These Days" when he just a teenager, but the song has become something of a standard, a song that reveals new feelings and meanings every time it's sung with soul. And that's just what Chicago-based singer-songwriter (and Fort Frances frontman) David McMillin does on this new solo acoustic version.