There was something vaguely disconcerting about leaving Powell Hall Friday morning after hearing the SLSO and guest conductor Hannu Lintu perform Shostakovich's harrowing 1943 "Symphony No. 8" in C minor. Walking out into that bright spring morning was a bit like suddenly waking up from a nightmare. For just a moment, the light seemed a little dimmer.
In the introduction to his chapter on Shostakovich in the 1967 Penguin Books edition of "The Symphony," British musicologist Robert Layton described the Russian symphonist somewhat dismissively as a "documentary composer, far more bound up with this time than...Prokofiev, or any other of his Soviet contemporaries."
Finnish conductor Hannu Lintu and Dutch violinist Simone Lamsma made triumphant returns to Powell Hall Friday night with an evening of dance-oriented music by Bartók, Prokofiev, and Tchaikovsky. The highly charged "Swan Lake" suite was the highlight for me, but the fact is that the whole program was most impressive.
This weekend the St. Louis Symphony is presenting two separate programs: the regular concert series on Friday and Sunday with Finnish conductor Hannu Lintu on the podium and Dutch violinist Simone Lamsma as the soloist; and the annual "Red Velvet Ball" fundraiser concert on Saturday night with David Robertson conducting and celebrity cellist Yo-Yo Ma in the solo spot. In this article I'll just deal with the regular series.
It’s every orchestra manager’s nightmare: just a few days before the scheduled performance of a virtuoso showpiece the soloist gets sick and a replacement must be found. And not just any replacement; it has to be someone who knows the piece and has the chops to pull it off.