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Comet Gain
"Paperback Ghosts"
Fortuna POP!

Forgoing the garage stomp of past efforts "Howl of the Lonely Crowd" and "Réalistes," Comet Gain embraces introspective folk and indie pop on its seventh LP, "Paperback Ghosts."

Published in Reviews

On any given Saturday night in St. Louis there is a triple bill of great local sounds pouring from the doors of any given club. This past Saturday night at the Heavy Anchor was no exception.

Published in Reviews

I slipped into the Gramophone shortly after opener Leif Vollebekk, an acoustic troubadour from Montreal, took to the stage. As the crowd chattered and clinked their glasses, Vollebekk stood alone with a grateful grin on his face, projecting silken, Dylan-esque fingerpicking and vocals toward the Gramophone's bar wall.

Published in Reviews

Excitement and energy flooded the Off Broadway stage on night three of Twangfest 18, which featured a talent-packed four band bill.

Published in Music News

Singer-songwriter William Fitzsimmons played at the Gramophone on Thursday night, with Leif Vollebekk opening the show.

Published in Music News

Catching Katie Herzig with Elizabeth and the Catapult on the last day of their tour, St. Louisans had a treat in store at the Old Rock House on Saturday night.

Published in Music News

The title of Kaoru Ishibashi's new LP "Lighght" is taken from a 1965 poem by Aram Saroyan in which the word "lighght" is the single word of text in the center of the page. It was considered controversial in its time for calling its just one, misspelled word a poem at all.

Published in Reviews

Five years ago this week Eels released "Hombre Loco" a distortion-heavy treatise on desire where band mastermind Mark Oliver Everett -- he goes by E. -- frantically declared, "All I can do is feel feel feel" on "Lilac Breeze."

Published in Reviews

New York natives the Slackers took the stage of the Firebird on Thursday night, accompanied by the Bishops, and locals the Rocksteady Flyers.

Published in Music News
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