Glasgow, Scotland's Chvrches have needed little assistance in emerging as a mainstream contemporary electronic dance-rock monolith.
The members of Denton, Texas band Centro-matic are the very definition of indie-rock survivors. The nearly 20-year friendship of Will Johnson, Matt Pence, Scott Danbom and Mark Hedman fuels the sound of its new album, "Take Pride in Your Long Odds," and the band has never rocked harder or more imaginatively. KDHX is proud to welcome Centro-matic to Off Broadway in St. Louis on Friday, June 6, 2014 for a headlining show at Twangfest 18.
Like school children sending notes back and forth across the classroom, Ted Leo and Aimee Mann were constantly exchanging songs cross-country in preparation for "The Both." Their debut release isn't so much a work of two separately renowned artists, but one in which the Both come together to create something unified, cohesive and extraordinarily catchy.
Michael Deni's efforts to galvanize the woozy Off Broadway crowd coalesced into a flagrant one-two punch. He bopped around the stage with straight shoulders and buoyant legs, eventually plunging into the crowd who finally shook itself out of the Thursday night stupor that left them boring and polite the first couple songs in.
The War on Drugs truly creates a genre of its own, combining the electricity of psychedelia with the craftsmanship of veteran songwriters. It may be hard to fathom, but worry less about categorizing and temporarily drift away via "Lost in the Dream."
A Facebook conversation about Eels' mastermind Mark Oliver Everett nailed the conundrum of the musician's career, spanning nearly 30 years with some of the most innovative and interesting music that formed the core of '90s alternative and indie rock in relative quiet:
About 10 minutes before Black Lips took the stage, a chant began: "T.P. party! T.P. party!" "T.P. party!"