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"Beautiful" isn't a word you often hear applied to the twelve-tone music of the Second Viennese School, but I can't think of a better one to describe the performance of Alban Berg's 1935 "Violin Concerto" by soloist James Ehnes and the symphony under David Robertson Friday morning.

Published in Reviews

David Robertson's on-stage introduction to Philippe Manoury's "Synapse", for violine and orchestra, made more sense than the composer's own description, which fluttered about such terms as "blocks", "formulas" and "specific grammar" without really explaining their true meaning. However, Robertson's substantial personal charisma seemed insufficient to make such a piece palatable to what was easily the sparsest audience in memory at a St. Louis Symphony concert.

Published in Reviews

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