Though they're nearing 15 years as a band, the members of Kneebody are largely regarded as youngsters in the world of jazz for their wildly innovative approach to music.
The world is filled with musical talent buried beneath the pressures and excuses that daily life continually provides, but true passion cannot be subdued.
For many fans of the contemporary funk and fusion scene, the arrival of Jeff Lorber Fusion in St. Louis marked a major event.
Outside the walls of the Harold and Dorothy Steward Center for Jazz, sheets of ice coated the world in a frosty sheen, but inside the mood was warm and inviting.
Jazz is considered to be a true American art form, but when mixed with Afro-Cuban influences and Latin heritage, it has grown into a melange of worldly music shared across borders, continents and cultures.
In the spirit of jazz, Wednesday night at the Ferring Jazz Bistro proved to be a night of adaptation and perseverance.
There are many new aspects how to write a personal essay of Jazz St. Louis’ newly renovated Harold Jazz Center, but one of the finest additions turns out to be something old. Rich McDonnell, founding board member and longtime supporter of jazz, was lost this past year, and the Ferring Jazz Bistro has the honor of housing his classic, Hammond B-3 organ, one of the most renowned instruments in jazz.
Even before the musicians emerged from the green room, the stage told a story of creativity and modern experimentation. At the forefront sat Jeff Coffin's trio of saxophones and flute beside Bill Fanning's trumpet, each accompanied by a board of effects pedals and other toys generally belonging to electric guitarists and bassists.