Stephen Sondheim and James Lapine give fairytales a clever musical score, along with an abundance of whimsy and a gentle moral, in the tuneful, imaginative "Into the Woods." Already high on the list of Sondheim's popular musicals, the production is engaging for audiences of all ages, with a few unexpectedly adult situations and a slightly subversive sense of humor. The result is a bittersweet tale, touched by both harsh and comforting realities, that delivers its lessons with a light touch and hopeful tone.
I've always maintained that actors in general and musical theatre actors in particular have something of a head start when it comes to cabaret. They already know how to give meaning to a lyric and how to connect with an audience. As evidence, I offer up Ken Page's "Old, New, Borrowed, and Blue," which kicked off The Presenters Dolan's Gaslight Cabaret Festival on February 20 and 21.
The world premiere production of “Café Chanson” is an archetypal diamond in the rough: quality material that wants only a bit of polishing to make it into a gem.