In "The Railway Man" Eric Lomax first appears in 1980 where he's most comfortable--on a railway car. There he accidentally meets his future wife, Patti, because his train was delayed. He rattles off the circuitous connection he'll make to complete his journey--a lovely metaphor for his emotional passage from traumatized ex-prisoner of war to a psychologically strengthened individual.
In a triumph of style over substance, South Korean director Chan-wook Park transforms a relatively isolated house in rural Connecticut into an emotional pressure cooker. The funeral for husband Richard Stoker brings his long-absent brother Charlie to help wife Evie and daughter India. But an undercurrent of distrust makes clear that danger awaits this family.
Over several years, the St. Louis Psychoanalytic Institute's Celluloid Couch series at Webster University has featured select films rich with psychological texture. After each screening a professional in the psychoanalytic field provides insightful analysis. This summer's three-film program kicks off on Thursday, May 5th with Margot at the Wedding with analysis provided by Michael Deal, MA, LPC.