The difference between legend and legacy can seem muddled to a few, but ultimately, many realize that it's marked by a single concept, impact. While many would consider Stanley Clarke to be a living legend in the world of jazz and the bass, his appearance at the helm of Stanley Clarke Band at the Pageant on Tuesday night illustrated more than simply his prowess as a musician, but also the lasting effect he has on the youth that join him on stage and nearly every modern jazz musician that has risen through the ranks. With over four decades of experience, Clarke's discography depicts the changing face of jazz while his energy mobilizes its future.
When Spoon's Britt Daniel talked to KDHX's Kevin Korinek, he described the band's new album, "They Want My Soul," as one for playing on a car stereo. With shimmery synthesizers and guitar pedal work, the live possibilities of taking this beautiful production piece out of the car, combing it with their past efforts is daunting.
I think everyone who lived through the '80s can agree that there was no shortage of loud, longhaired rock bands dominating the radio and MTV. Amid the plethora of spandex-clad arena rockers like Mötley Crüe, Poison, Ratt and Bon Jovi, however, one band stood apart.
Last night, Beck Hansen made his long-awaited return to Mound City with a sold-out concert at the Pageant. Beck last played here on a tour supporting his album "Midnite Vultures" in January of 2000. Bill Clinton was still president, the iPod's debut was almost two years away and we had all somehow just survived Y2K (phew!)
Australian guitar virtuoso John Butler stopped at the Pageant on Wednesday night, along with bassist Byron Luiters and drummer/percussionist Grant Gerathy, who round out the John Butler Trio. Butler, a former busker from the small city of Fremantle in Perth, Australia, is touring in support of his band's recently released sixth album, "Flesh & Blood."
Glasgow, Scotland's Chvrches have needed little assistance in emerging as a mainstream contemporary electronic dance-rock monolith.
The creative process can be arduous. Without the right elements, working an internal dialogue into a malleable mass of creative genius can feel wrong. It takes time. It takes a curative flair. Bands like Local Natives understand the ingredients that go into records anointed with emotions that settle deeper than the soul, and it's why why people go see bands like Local Natives.