Prior to Tori Amos taking the Peabody stage, husband and wife folk singers Trevor Moss and Hannah-Lou turned in a vocally-impressive acoustic set. Trevor and Hannah Lou aren't your typical male/female folk-singing duo. What caught my attention right away was Trevor Moss' full voice high tenor/alto singing. There wasn’t a bit of falsetto in a single note that came out of his mouth, and he was often singing melodies above Hannah Lou's rich alto.
I went to "Blue Man Group" at the Peabody last night and my eyes, my ears, my intelligence, my taste and my patience were all violently assaulted. This sort of production is aimed at audiences who won't be satisfied unless they're left staggering out the doors, reeling from sensory overload.
The Peabody Opera House recently played host to several performances of the Tony-winning “Peter and the Starcatcher,” based on a novel of the same name, and in subject a prequel to J. M. Barrie’s 1904 play and subsequent 1911 novel about Peter Pan, “Peter and Wendy.”
Audiences at the beautiful Peabody Opera House were treated to a brief escape from the winter's chill in St. Louis with a warm and inviting production of "Man of La Mancha" from Chasing Windmills LLC. The cast is strong throughout and the story an interesting and engaging interpretation of Cervantes life, as well as his most famous tale.
Pixies aren't the same without Kim Deal, or so I've heard from many music fans in the weeks leading up to the return to St. Louis of the pioneers of American alternative rock.
On February 6, the Pixies will ride a wave of mutilation right through the Peabody Opera House (with Cults supporting), and we want you to be there to see it. We're giving away two pairs of tickets for a little monkey business on your part.
This past year, my concert schedule started with a frantic pace, but then unfortunately dwindled away a bit due to increasing limitations on time and finances.