The music of the Lumineers reflects traditional folk blended with upbeat acoustic rock and a magnetism that's begun to grab the nation's attention.
Although he lost his battle with colorectal cancer, Robin Gibb leaves us with six decades of music and memories during his solo career and with his brothers Maurice and Barry as the Bee Gees.
With a fragile voice and unwavering emotional clarity, Julia Stone dives into the chasm between our dreams and reality on her sophomore release, "By the Horns."
Bo and the Locomotive are standing beneath a neighbor's blossoming tree, playing a new song behind their Dogtown home.
Before Paste Magazine told the nation so, it wasn't presumptuous to say Bo and the Locomotive is one of the best reasons to get excited about St. Louis music.
With a sunny outlook and warm, lush melodies, Vacationer puts a bright and positive spin on electronic pop.
Tim DeLaughter and his robed tribe, the Polyphonic Spree, transformed the Duck Room's basement venue into a multi-colored joy machine last night.
Despite the intimate crowd at Off Broadway Tuesday night, the Spring Standards were able to generate a real party atmosphere on the dance floor.
There is nothing conventional about the Polyphonic Spree. Sonically they throw down with as many as 22 members simultaneously jamming, dancing and prancing about while creating layered grooves that are part gospel choir, part indie rock show and part cultish love-fest.
Pretty Little Empire and Scarlet Tanager gave a raucous crowd at Off Broadway plenty to celebrate on Saturday night.
When you dig beneath the shimmering textures and ethereal vocals of Sweden's I Break Horses you will discover that the duo of Maria Lindén and Fredrik Balck make soundscapes of depth and substance.
Taking place in an empty 2720, a club which normally hosts a slew of reggae and hip hop shows, Union Tree Review's "Excavate" became one of Show Me Show's most thrilling performances.
R.E.M.'s most well-known songs ("Losing My Religion," "Everybody Hurts," "The One I Love," etc.) aren't necessarily the tunes fans gravitate toward. That's not to say the late, great Athens band's hits are bad -- or that their loyalists are snobby.
Omaha-based indie-rock band Cursive came through St. Louis on Friday night and put on a high energy show at Off Broadway.
Cleveland based art rockers, mr. Gnome, came to St Louis and turned up the energy at Plush on Wednesday night.
Even with the transplant status of several band members and a few stints living abroad, the Head and the Heart have put down deep Seattle roots.
There's something in the music of Seattle's the Head and the Heart that brings on a wash of nostalgia and emotion: sepia-toned memories of rivers and fields, lilting three-part harmonies and saloon piano chords.
Ben Kweller rocked Off Broadway Friday night with openers the Dig and Sleeper Agent.
Ben Kweller and a rocking backing band kept a Friday night show at Off Broadway lighthearted and full of pop hooks.
The Delmar Metro parking lots surrounding the Pageant were stuffed with cars. I guess this is what the MTV Music Awards will do for a band like Young the Giant's attendance.
For a while now, Cherokee has had a strong reputation for supporting the visual arts with its galleries, outdoor festivals and street art. Yet the proliferation of music venues and recording studios, including the five month-old Texas Room, is making Cherokee an increasingly good place to keep your ear to the ground for new homegrown sounds.
Lights, the nom de music of Valerie Poxleitner, is most often associated with the electronic-pop of artists like Owl City and Björk. But even with just an acoustic guitar, Lights still shines brightly.
Twangfest won't arrive until June, but 88.1 KDHX and Twangfest delivered a taste of what's to come with their 13th annual SXSW day parties this past week in Austin.
Touring on her latest album, "Stronger," Texan Kelly Clarkson put on a stunning vocal clinic Friday night at the Fox Theatre in St. Louis.
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