On "The Final Remedy" the Plastic Pals get back to the basics of slightly fuzzy, slightly jangly power pop with a droll vocal delivery (how else could you pull off a line like "I still got the hots for you"?) and an unassuming but winning hook.
With harmonies straight out of the Beach Boys' playbook and a wall of synths, pianos, drums and fuzz to make Flaming Lips' fans nostalgic for the days of "The Soft Bulletin," UK band the High Wire sounds fully realized on new single "Still."
The Soon-Another likens its music to "world indie pop," and that's not unbelievable, if the world in question is filled with hand claps (lots and lots of them), finely textured synths and charming lead vocals, as sensual as they are whimsical. Listen to "Like You Like" and make up your own genre descriptor.
Justin Timberlake isn't the easiest (or even most likely) artist to cover, especially a newer track and especially in an ambient electronic style, but Coldair, aka Warsaw-based multi-instrumentalist Tobiasz Biliński, takes JT's "Strawberry Bubblegum" into a whole new moody pop realm.
The rather baroque title "The Dead Leaves (Danse Macabre Midnight)" belies the easy-going melody and fleet guitar and keyboard figures that hone the song's hook. As it all builds to a fuzzy collision, it's clear Modern Rivals have more than just bookish dream pop on their minds.
Jeremy Messersmith has a sweet, sweet voice which is complimented perfectly by understated and simple acoustic guitar.
Led by Reese Beeman and James Adkisson formerly of psych-rock band the 7% Solution, and featuring singer Lisa Lipkin, Austin, Texas' HeadShy packs up its R.E.M. and Primal Scream record collection and heads for dreamier pop terrain on "The Light That Guides the Blind."
The Pulitzer Foundation for the Arts kicked off its Reset week of events with a presentation by artist David Scanavino, creator of "Candy Crush," an installation exhibit covering the floor and wall of the gallery.
I recently took a look at my 10 favorite national albums of last year; here's my look at the best releases out of St. Louis in 2013.
Toronto musician Barzin Hosseini, who records under the name Barzin, returns with the gossamer, string-swept track "All the While," a meditation on patience, forgiveness and waking up to the world.