Like an unknown outtake from "Odyssey and Oracle" or even "Magical Mystery Tour," the finely harmonized and arranged "Lauren Lorraine" by Summer Fiction pulls back the veil on an exquisite and personal view of baroque psychedelic pop.
Postmodern and pre-modern at once, the orchestral, piano-based ballad "Wounds Grow Grass" by Lauryn Peacock waltzes out of a wine-warmed cabaret from Berlin in the 1920s or maybe from just around the corner here and now.
There are big bands, and then there is the Educated Guess. Helmed by Singer, songwriter and arranger Charlie Brumley, the St. Louis group often sprawls to a dozen or more musicians on stage, but it's not the numbers that matter. It's the soaring, orchestral, soul-pop vision, captured on new recordings like the Motown-spirited "Baby, If You Want It."
"No Pier Pressure"
"No Pier Pressure," Brian Wilson's first album since the Beach Boys reunion ended, is a confounding record, often drowning the master of harmonies, ironically, beneath the pressure of his peers.
Think you know indie dance-pop? Think again. The frenetic, time-signature-shifting electro bop sound of "You Only Like What You Know" by Beardyman unleashes all of Darren Foreman's beatboxing, looping and loopy talents.