SomeOthaShip Connect Music is an indie music label started by singer-songwriter and producer Georgia Anne Muldrow and longtime music collaborator and rapper Dudley Perkins aka Declaime. At Blank Space on Saturday night, the lineup showcased a hybrid of rap artists such as Philadelphia emcee Bahamadia, energetic DJ and producer Kankick, local electro-soul duo Hawthorne Headhunters, young rapper Con, KDHX's own Nappy DJ Needles, as well as special guests.
Sunday night at the Firebird was a geeks dream come true.
"Live wire, shine brighter/Death be the only way I get to retire," raps Atmosphere's Slug on the title-track remix of the duo's eighth album. Produced by Ant, the other half of Atmosphere -- and featuring a long list of artists including Haphduzn, Nazeem and Mike the Martyr -- the stripped down and smoothed out song pays homage to Minneapolis' south side, the place where the duo has worked and called home for much of their 17-year career.
Ask me how much I know about East Coast hardcore hip-hop and I might as well just not answer. I know where the East Coast is. I'd say I'm as familiar with hip-hop as your average music lover might be. It's that hardcore designation that escapes me.
One of KDHX's few hip-hop DJs, Wil Wander shows off the finer side of the genre during his show "Elevated Rhymestate," which can be heard early on Thursdays from 3 to 5 a.m. Central. With a focus on laidback or smooth sounds and poetic lyrics, Wil picks from the early rhymes of the 1980s or '90s, as well as newer releases, including some hip-hop from around the world.
For the past few months, M.I.A. has been just that. She first began teasing her fourth album, "Matangi," in November 2011, released the track listing in August 2012, and in August 2013, threatened to leak the album if Interscope took any longer to negotiate a release date.
The golden age of hip-hop came to 2720 en masse for a night of nostalgic joy and veteran performances. Even on a Sunday night, the crowd was out in good numbers and started to fill the dance floor as soon as the music began.
We slipped into a lucky parking spot in the lot behind the Moonrise Hotel as the sun gave its final warming rays for the first-class citizens of the west side of the loop. "Two hours late for the show," I said to Johnson as we headed towards the Pageant. "This will make for an interesting review." Neither of us could have guessed how the night was about to play out.