Ask me how much I know about East Coast hardcore hip-hop and I might as well just not answer. I know where the East Coast is. I'd say I'm as familiar with hip-hop as your average music lover might be. It's that hardcore designation that escapes me.
One of KDHX's few hip-hop DJs, Wil Wander shows off the finer side of the genre during his show "Elevated Rhymestate," which can be heard early on Thursdays from 3 to 5 a.m. Central. With a focus on laidback or smooth sounds and poetic lyrics, Wil picks from the early rhymes of the 1980s or '90s, as well as newer releases, including some hip-hop from around the world.
For the past few months, M.I.A. has been just that. She first began teasing her fourth album, "Matangi," in November 2011, released the track listing in August 2012, and in August 2013, threatened to leak the album if Interscope took any longer to negotiate a release date.
The golden age of hip-hop came to 2720 en masse for a night of nostalgic joy and veteran performances. Even on a Sunday night, the crowd was out in good numbers and started to fill the dance floor as soon as the music began.
We slipped into a lucky parking spot in the lot behind the Moonrise Hotel as the sun gave its final warming rays for the first-class citizens of the west side of the loop. "Two hours late for the show," I said to Johnson as we headed towards the Pageant. "This will make for an interesting review." Neither of us could have guessed how the night was about to play out.
In front of heavy beats and a spartan stage graced only with a few lone microphone stands and a table reserved for the ubiquitous laptop, five rappers filled the remaining empty space with their quick-fire poetry. In the words of one of the headliners, Killer Mike, this was church. So we paid attention and exalted.
Scottrade Center played host to four legendary hip-hop acts on Saturday when the Kings of the Mic tour came through St Louis.