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St. Louis rock 'n' roll took center stage on Saturday, as the Schlafly Tap Room hosted the debut performance of Endora, a new group fronted by Ellen the Felon.

Published in Music News

Randle Chowning brings a familiar voice and lasting body of songs to Focal Point on Friday, March 27, but in many respects the veteran singer, songwriter and founding member of the Ozark Mountain Daredevils is re-introducing himself to St. Louis. And he will do it house-concert style, solo on acoustic guitar.

Published in Music News

After my first day at SXSW 2015, the first thing I say to myself in the morning: "I need some tacos."

Published in Reviews

My partner and I shrugged off Thursday night's dew with the drag of seasoned Midwesterners. The drizzle that flecked our heads mattered little as Off Broadway's familiar vestibule came within sight sooner than we had hoped. As the day slinked toward darkness like a panther into the jungle's underbelly, we inhaled deep. We were feet from the day's completion as Santah's sounds pursued the night's attention.

Published in Reviews

When Sylvan Esso comes to town people are going to move.

Published in Music News

Since buying his first album at the age of five, Jim Bruce has loved music. From blues and jazz to rock, it all finds a way onto his show "Higher Ground," from 2-4 p.m. Central every Tuesday on KDHX.

Published in Inside KDHX

The brothers Dickinson were in top form on Saturday night as the North Mississippi Allstars stormed the stage at the Old Rock House.

Published in Music News

Call the sound fuzz-rock, call it post-rock, just don't call it a paint-by-numbers cover of the beloved Joy Division. Brooklyn, New York's Lightouts have clearly put their snarling, noisy stamp on "Interzone."

Published in Music News

East coast punk rock band Title Fight brought their high-energy hardcore sound to an inspired crowd at the Ready Room on Saturday night.

Published in Music News

Jim Heath is an ordained minister of rockabilly. The native Texan took the classic rockabilly sound of the 1950s and blended it with high-octane punk and roots rock, producing a sound that could only be described as psychobilly. When he picks up his signature Gretsch and takes the stage with bandmates Jimbo Wallace and Scott Churilla, he becomes the Reverend Horton Heat.

Published in Reviews
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