The anti-SEF band S features Jenn Ghetto from long-lost, pre-Band of Horses cult group Carissa's Wierd with production assistance from Chris Walla from very-much-not-a-cult-band Death Cab for Cutie. "Brunch" is as delicious and darkly satisfying as indie guitar pop gets.
"I'm just a weird guy trying to make everybody happy," Ryan Adams proclaimed halfway through his set on Sunday night. A crowd had gathered near the front of the Peabody Opera House stage, and those trying to see the show from their seats seemed visibly (and in one case, physically) disgruntled. After some pushes and grumbles from the crowd, Adams stepped in.
Opening with guazy folk-tronica and shifting into a tense but still spectral indie-rock sound, "Riddles" by Portland, Oregon band Old Wave (formerly known as Adam Brock 4; good call on changing names) is nothing if not hard to solve, even as it's quite an inviting listen.
It is, in the cheesiest way possible, quite fitting that Temples played the Old Rock House on this visit to St. Louis. The Kettering, UK-based band quite literally play old rock -- glam-acid psychedelia straight out of 1960, down to the leather and charm.
The band Young Tongue surely knows from whence comes the phrase "heavy metal" (that would be Steppenwolf's "Born to Be Wild"), but there's nothing pedantic (let alone metal) about the new track "Heavy Metal Thunder." It's a blast of classic, harmony-and-riff-driven rock 'n' roll.