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This weekend at the symphony, BBC Chief Conductor Juanjo Mena is on the podium for a series of variations on the theme of the theme and variations. Which is not as confusing as it looks. All three of the works on the program are examples of the "theme and variations" form, in which a single melodic thread is used to spin a complex tapestry of music.

Published in Music News

Unless you've been holed up on the dark side of the moon lately, you've probably noticed that 2014 is the 250th anniversary of the founding of St. Louis. As a glance at the STL250 web site clearly shows, local celebrations of the event are popping up all over. This weekend the St. Louis Symphony is doing its part with a program that includes works composed between 1763 and 1792, including a Haydn symphony that's almost exactly the same age as our fair city.

Published in Reviews
Thursday, 20 February 2014 23:37

Symphony Preview: Different strokes

When guest conductor Bernard Labadie takes the podium this weekend, he'll be leading a noticeably downsized St. Louis Symphony Orchestra. But never fear; nobody has been sacked. It's just that he's conducting a program of music written between 1763 and 1792, back when both orchestras and the halls in which they played were substantially smaller than they are now.

Published in Music News

St. Louis Symphony Orchestra guest conductor (and fellow Rice University alum) James Gaffigan gave us a highly dramatic and immensely satisfying Mendelssohn "Symphony No. 3 in A minor," op. 56 ("Scottish"), Friday morning, along with an equally impassioned Brahms "Concerto in A minor for Violin, Cello, and Orchestra (Double Concerto)," op. 102. Symphony Concertmaster David Halen and Principal Cello Daniel Lee were the soloists in the Brahms, demonstrating that you don't have to fly in stars to get stellar performances.

Published in Reviews
Wednesday, 05 February 2014 01:15

Symphony Preview: Friends Again

This weekend (February 7-9) marks the return to the Powell Hall stage of Lucerne Symphony Chief Conductor (and fellow Rice University alum) James Gaffigan for a program of music by Mendelssohn and Brahms that puts two of the symphony's own in the spotlight.

Published in Music News

It was a case of saving the best for last this weekend as the St. Louis Symphony concluded its four-week "Beethoven Festival" with stunning performances by guest conductor Jaap van Zweden of the Fifth symphonies of Beethoven and a composer who greatly admired Beethoven, Dmitri Shostakovich.

Published in Reviews
Thursday, 30 January 2014 19:14

Symphony Preview: Augmented Fifth

The St. Louis Symphony's "Beethoven Festival" concludes this weekend with Beethoven's Greatest Hit, the "Symphony No. 5 in C minor, Op. 67." In an ingenious bit of programming, it's paired with another fifth: the "Symphony No. 5 in D minor, op. 47," composed in 1937 by Dmitri Shostakovich. Jaap van Zweden conducts.

Published in Music News

The symphony's "Beethoven Festival" continues this week with a powerful reading of Beethoven's "Symphony No. 3 in E-flat major, op. 55," (the "Eroica") and brilliant performances of two new works composed by viola soloist Brett Dean, one of which is inspired by Beethoven.

Published in Reviews

This weekend the second of the symphony’s four "Beethoven Festival" concerts brings us music of Beethoven, a younger contemporary of Beethoven, and a 20th century composer who acknowledged Beethoven as a major influence—all done up by guest conductor Andrés Orozco-Estrada in that dramatic, late Romantic Austro-German style I associate with the recordings of Bruno Walter and Otto Klemperer that were so much a part of my youth.

Published in Reviews
Tuesday, 14 January 2014 23:43

Symphony Preview: Tales of Old Vienna

The "Beethoven Festival" continues this Friday through Sunday with what is probably his grandest piano concerto—the Fifth, known as the "Emperor Concerto"—along with a concerto of a very different sort from Béla Bartók and an overture to a failed Medieval fantasy opera by Carl Maria von Weber.  Andrés Orozco-Estrada conducts with piano soloist Louis Lortie.

Published in Music News
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