It’s a mix of the first run and the familiar this weekend at Powell Hall, with music of the 19th, 20th, and 21st centuries.
Sturm und drang (usually translated as "storm and stress") was an early Romantic (late 18th century) movement in German literature and music that emphasized drama and conflict. Both Haydn and Mozart wrote symphonies that were seen as embodying the movement's approach.
The symphony closes out its regular season this week as David Robertson returns to the podium for a program that features a dramatic Tchaikovsky symphony, a hallucinatory song cycle by Britten, and a new piece by a French composer of "spectralist" music. Variety? We've got it.
The St. Louis Symphony brings its season to a close this weekend and next with a pair of concerts featuring big, audience-pleasing works.
"There is no doubt about it—this is the greatest American symphony!" Thus (according to the 28 October 1946 issue of "Time") spake Boston Symphony Orchestra conductor Serge Koussevitsky after conducting the first performance of Aaron Copland's "Symphony No. 3." Was he right?
This weekend's St. Louis symphony concerts feature (to borrow a phrase from the baseball diamond) a pair of heavy hitters—on both the stage and the page.
In his "Concord Hymn" Ralph Waldo Emerson describes the first shot of the American Revolutionary War as "the shot heard round the world." The same phrase has been applied to the shot that killed Archduke Franz Ferdinand in 1914. This weekend the St. Louis symphony will be playing the musical equivalent of "the shot heard round the world." Let's call it "the chord heard round the world." Its effect was less violent, but no less revolutionary in its own way.
This weekend David Robertson conducts the symphony in three "American" works. Granted, only one was written by an American; but all three were composed here and one even had its premiere in St. Louis.
There's only one work on the St. Louis Symphony program this weekend, but it's a big one: the "Messa da Requiem" (Requiem Mass) by that giant of Italian opera, Giuseppe Verdi.
When guest conductor Bernard Labadie takes the podium this weekend, he'll be leading a noticeably downsized St. Louis Symphony Orchestra. But never fear; nobody has been sacked. It's just that he's conducting a program of music written between 1763 and 1792, back when both orchestras and the halls in which they played were substantially smaller than they are now.